SPECIAL ADVISORY: In accordance with Yale University’s revised COVID-19 protocols, the Yale University Art Gallery will close to the public beginning Friday, October 16, 2020. Learn More

Asian Art
PrevNext1 of 2
Photo credit: Yale University Art Gallery
PrevNext2 of 2
Photo credit: Yale University Art Gallery
Calligrapher: Mir Ali al-Haravi, Persian, 1476–1545

Portrait of Abdul Rahim, Khan-i-Khanan (1556–1627)


Opaque watercolor on paper

image: 6 × 5 1/8 in. (15.2 × 13 cm)
14 15/16 × 9 13/16 in. (38 × 25 cm)
Gift of Mary Burns Foss
This page was once part of an album of paintings and calligraphy commissioned by Jahangir (r. 1605–21), the fourth ruler of the Mughal dynasty in India. Jahangir was known for his interest in portraiture and Europeanized imagery. The subject of this portrait, often known as Rahim, was a poet famous for his verses in Urdu who served as an important minister during both Jahangir’s reign and that of his father. The figures in the margins represent Rahim’s attendants; they also reference his literary and military skills.
Indian, Islamic
Mughal dynasty (1526–1857)

Emile Tabbagh (1879–1933) Collection, New York, NY estate sale Jan 3-4, 1936; Mary Burns Foss (Mrs. Wilson P. Foss Jr.) (1896–1987); gift in 1983 to the Yale University Art Gallery, New Haven, Conn.


Sylvia Houghteling, Affect, Emotion, and Subjectivity in Early Modern Muslim Empires : New Studies in Ottoman, Safavid, and Mughal Art and Culture, ed. Kishwar Rizvi, 9 (Boston: Brill, 2018), 11-12, fig. 0.6.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.