African Art
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Photo credit: Yale University Art Gallery
PrevNext2 of 2
Photo credit: Yale University Art Gallery

Kneeling Female Figure (Onile) Holding a Bell

18th–19th century

Brass

12 1/4 x 4 1/2 x 4 1/2 in. (31.12 x 11.43 x 11.43 cm)
Charles B. Benenson, B.A. 1933, Collection
2006.51.200
Paired onilé figures, representations of the co-owners of an Òsugbó house, are a symbol of unity within a lodge. The kneeling posture captures a traditional form of the Òsugbó greeting and confers respect, obedience, deference, and devotion. The Òsugbó (called Ògbóni by other Yoruba groups) is an association of male and female elders who are responsible for the selection, installation, abdication, and burial of kings; they also decide judicial cases and punish serious crimes in the society.
Culture: 
Ijebu Yoruba, Òsugbó (Ògbóni) association
Period: 
18th–19th century
Classification: 
Sculpture
Geography: 
Made in Guinea Coast, Nigeria
Status: 
Not on view
Provenance: 

Charles B. Benenson Collection, Greenwich, Conn; Yale University Art Gallery, New Haven, Conn.

Bibliography: 

Richard Barnes, “Objects of Desire,” Yale Alumni Magazine (September/October 2004): 33, ill.

“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 173.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.