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African Art
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Photo credit: Yale University Art Gallery
PrevNext2 of 2
Photo credit: Yale University Art Gallery

Stool for a Sàngó Altar

late 19th–early 20th century

Wood and pigment

16 × 13 in. (40.64 × 33.02 cm)
Charles B. Benenson, B.A. 1933, Collection
2006.51.90
This stool depicts an equestrian figure surrounded by four standing figures: a mother and child, a drummer, a woman holding a sacrificial cock and a covered vessel with a removable lid, and an armed man holding the reins of the horse. The equestrian refers to the Oyo Kingdom and suggests that the stool might have been used as a seat for a dignitary of high rank at a Sàngó shrine.
Geography: 
Made in Guinea Coast, Nigeria
Made in Guinea Coast, Republic of Benin
Status: 
On view
Culture: 
Ketu Yorùbá
Period: 
19th–20th century
Classification: 
Furniture
Provenance: 

Pace Gallery, New York, to Mar.29, 1982; Charles B. Benenson Collection, Greenwich, Conn, 1982–2004; Yale University Art Gallery, New Haven, Conn.

Bibliography: 

“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222.

Frederick John Lamp, Amanda Maples, and Laura M. Smalligan, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 123, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.