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Ancient Art
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Artist Close to: Erlenmeyer Painter, Greek, Corinthian, active ca. 600–575 B.C.

Alabastron with Typhon

ca. 610–600 B.C.


26 cm (10 1/4 in.)
26 × 11.9 × 1.9 cm (10 1/4 × 4 11/16 × 3/4 in.)
The Harold A. Strickland, Jr., Collection
Greek cities expanded their trade and overseas colonization in the eighth century B.C. The influence of Near Eastern cultures on Greece, brought about by these contacts and the importation of Syrian, Assyrian, and neo-Hittite art, provides the name “Orientalizing” to this period (ca. 720-625 B.C.). Corinthian artists drew upon the Oriental repertory of hybrid mythical beasts for their subjects, including sphinxes, sirens, and griffins. This influence led artists to portray even Greek mythical figures with additional fantastic attributes. Here Typhon, a sea deity typically shown with a snaky or sea-serpent tail, was also given elaborate wings by the artist. The figure has been painted in the black-figure technique, a new method invented in Corinth. The black- and red-slip silhouettes of the figure were first painted on the clay, and then incised with details and patterns of anatomy and drapery like Typhon’s wings, beard, and garment. The Corinthian style and black-figure technique strongly influenced Athenian pottery.
Not on view
Greek, Corinthian
Archaic, Early Corinthian
Containers - Ceramics

Ex Swiss private collection; Royal Athena Galleries, New York; Harold A. Strickland, Jr., to January 1995; Estate of Harold A. Strickland, Jr., to 1998; Yale University Art Gallery, New Haven, Conn.

This work appears on our "Antiquities and Archaeological Material with Provenance Documentation Gaps" page.

Jack L. Benson, “Some Notes on Corinthian Vase Painters,” American Journal of Archaeology 60 (1956): 225–6.

N Icard-Gianolio, Lexicon iconographicum mythologiae classicae VII, 7 (Zurich: Artemis, 1997), 147–151, pls. 112–113.

“Acquisitions, 1998,” Yale University Art Gallery Bulletin (1999): 197–98, ill.

Art for Yale: Collecting for a New Century, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2007), 204, pl. 190, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.