Card table Maker, attributed to: Adam Hains (American, 1768–1846)

ca. 1795

American Decorative Arts

Once hailed as a masterpiece of American furniture and then labeled a sophisticated fake, recent scholarship argues that this lavishly decorated card table is the work of Philadelphia craftsman Adam Hains. The ornate bell flowers on the legs relate to the decoration of other furniture associated with Hains, as does the table’s use of thick, oak boards for some of the structural elements. The central panel depicts a griffin, a mythological beast that is part lion and part eagle. Thomas Sheraton’s The Cabinet-Maker and Upholsterer’s Drawing-Book of 1791–94 illustrates a similarly posed griffin, holding a floral swag in one paw and its tail transforming into a leafy scroll, that may have inspired Hains’ design.

Medium

Mahogany, mahogany veneer; satinwood, and mixed-wood inlay with southern yellow pine (top, inner frame rails, blocks) and white oak (hinged rail)

Dimensions

29 1/2 × 36 1/2 × 17 15/16 in. (74.9 × 92.7 × 45.5 cm)

Credit Line

Mabel Brady Garvan Collection

Accession Number

1930.2010

Culture
Period

18th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Howard Reifsnyder (1869–1929), Philadelphia, by April 24, 1929; sale, American Art Association, New York, April 24–27, 1929, lot 505; sold to Francis P. Garvan (1875–1937), New York, April 26, 1929; given to the Yale University Art Gallery, New Haven, Conn., 1930
Bibliography
  • Lisa Minardi, "Adam Hains and the Philadelphia-Reading Connection," American Furniture (2014), 151–53, fig. 15–18
  • David L. Barquist, Elisabeth Donaghy Garrett, and Gerald W. R. Ward, American Tables and Looking Glasses in the Mabel Brady Garvan and Other Collections at Yale University (New Haven, Conn.: Yale University Art Gallery, 1992), 375, no. A25, ill
  • Harold Sack, "Authenticating American Eighteenth-Century Furniture," Antiques 127, no. 5 (May 1985), 1130, fig. 13
  • John T. Kirk, Early American Furniture: How to Recognize, Evaluate, and Care for the Most Beautiful Pieces: High Style, Country, Primitive and Rustic (New York: Alfred A. Knopf, 1970), 176–77, fig. 178
  • Baltimore Furniture: The Work of Baltimore and Annapolis Cabinetmakers from 1760 to 1810, exh. cat. (Baltimore: Baltimore Museum of Art, 1947), 20, 43, no. 16, ill
  • Edgar G. Miller, American Antique Furniture: A Book for Amateurs, 2 vols. (Baltimore: Lord Baltimore Press, 1937), vol. 2, pp. 786–87, no. 1516
  • Girl Scouts of the United States of America, Loan Exhibition of Eighteenth and Early Nineteenth Century Furniture and Glass, exh. cat. (New York: Lent & Graff Company, 1929), no. 698
  • Loan Exhibition of Eighteenth and Early Nineteenth-Century Furniture and Glass, exh. cat. (New York: American Art Galleries, 1929), n.p., no. 698, ill
  • Edward Stratton Holloway, The Practical Book of American Furniture and Decoration: Colonial and Federal (Philadelphia: J. B. Lippincott, 1928), pl. 74, between p. 124–125
  • Wallace Nutting, Furniture Treasury, 1st ed., 3 vols. (Framingham, Mass.: Old American Company Publishers, 1928–33), vol. 1, n.p., no. 1030.
  • Edward Stratton Holloway, "Furniture of the Federal Era: Hepplewhite and Early Sheraton Seating Furniture, Sideboards, and Tables," House and Garden 51 (June 1927), 124
Object copyright
Additional information

Object/Work type

card tables

Technical metadata and APIs

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