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Loan Object
Artist: Cornelis Engelbrechtsz., Netherlandish, ca. 1460/65–1527

The Deposition

ca. 1510–20

Oil on panel

framed: 52.07 × 43.498 cm (20 1/2 × 17 1/8 in.) unframed: 42.545 × 33.655 cm (16 3/4 × 13 1/4 in.)
Bequest of Dr. Herbert and Monika Schaefer
ILE1981.9.1
Geography: 
Made in The Netherlands
Status: 
On view
Culture: 
Netherlandish
Period: 
15th–16th century
Classification: 
Paintings
Provenance: 

Baron E. de Beurnonville (1825-1906), Paris; Sale of the above, Pillet, Paris, May 9, 1881, lot 468; Jean Dollfus (1823-1911), Paris; Sale of the above, Lair-Dubreuil, Paris, April 1, 1912, lot 99, illus.; Frederik Muller, Amsterdam; Franz Kleinberger, Paris, 1913; Harald Petri (1877-1954), Antwerp; Sale of the above, Frederik Muller et Cie, Amsterdam, November 30– December 6, 1926, lot 57. Maurice Lagrand, Brussels. Kunsthandel A.G., Lucerne, and ‘Seling,’ March 1973, jointly owned; Julius Böhler, Munich, received on commission from the above, March 1973, and acquired September, 1973 (Lagerbuch-number 7-73); Dr. Herbert and Mrs. Monika Schaefer, June 1974.

Bibliography: 

Leandre Vaillat, “La peinture hollandaise,” L’Art et les Artistes 15 (April–September 1912): 146, ill.

Walter Cohen, Ulrich Thieme, and Felix Becker, “Engebrechtsz” in Thieme-Becker, Kunstler Lexikon, 10 (Leipzig: E. A. Seemann, 1914), 527, ill.

Nicolaas Beets, “De tentoonstelling 1575,” Onze Kunst 25 (1914): 53, ill.

Paul Wescher, “Zur Chronologie der Gemalde des Cornelis Engelbrechsten,” Zeitschrift fur bildende Kunst 58 (1924): 99, 103, ill.

E´mile Gavelle, Cornelis Engebrechtsz. L’e´cole de peinture de Leyde et le romantisme Hollandais au de´but de la Renaissance (Lille: Raoust, 1929), 292–93, G. 40.

Max J. Friedländer, Die Altniederla¨ndische Malerei, 10 (Berlin: P. Cassirer, 1932), pl. 52, fig. 93.

G. J. Hoogewerff, De Noord-Nederlandsche Schilderkunst, 3 (The Hague: Martinus Nijhoff, 1939), 202–204, fig. 108.

E. Peinck, “Cornelis Engebrechtsz: de herkomst van sijn kunst,” Nederlands Kunsthistorisch Jaarboek (1948–1949): 53, ill.

Office de Re´cupe´ration E´conomique, Re´pertoire d’oeuvres d’art dont la Belgique a e´te´ spolie´e durant la guerre 1939-1945 (Brussels: Royaume de Belgique, 1948), Illus. 25 (Pl. V), fig. 76.

Max J. Friedländer, Early Netherlandish Paintings, 10 (Leiden & Brussels: Foleor Publishers, 1973), 73, 79, fig. 93.

Walter S. Gibson, The Paintings of Cornelis Engebrechtsz, 34 (New York & London: Garland Publishing, 1977), 167–68, 247, fig. 43.

Missing art works of Belgium (Brusells: Ministère des affaires économiques, 1994), 31, fig. 67.

Collection: Dr. Herbert & Monika Schaefer, Selected Works, exh. cat. (New Haven, Conn.: Mountain View Press, 1998), 12–15, ill.

Joachim Pissarro, Saints, Sinners, and Scenery: European Genre and Landscape Paintings from the Collection of Herbert and Monika Schaefer, exh. cat. (New Haven: Yale University Art Gallery, 1998), 6–7.

Jan Piet Filedt Kok, Walter S. Gibson, and Yvette Bruijnen, Cornelis Engebrechtsz: A Sixteenth-Century Leiden Artist and his Workshop (Turnhout: Brepols, 2014), 126–27, no. 33, fig. 119.

This work appears on our "Artworks with Nazi-Era Provenance Documentation Gaps" page.
Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.