ca. 1865–75

American Paintings and Sculpture


Martin Johnson Heade made over one hundred paintings of salt marshes, whose flat expanses provided a canvas for the play of weather and tides. In Sudden Shower, Newbury Marshes, Heade's mastery of perspective allows the small canvas to convey a sense of the broad, flat landscape of the Massachusetts coast. In contrast to the regularly spaced haystacks, the looming clouds and veils of rain in this painting suggest impending change. Americans transformed agriculture by introducing the first effective harvesting machinery in the 1840s, yet Heade depicts the gathering of salt hay for animal feed, a traditional process resistant to mechanization and necessitated by the encroachment of New England's cities upon its pastures. Built on stilts, the haystack in the foreground suggests the fragility of the region's rural economy.

Medium

Oil on canvas

Dimensions

13 1/4 × 26 5/16 in. (33.7 × 66.8 cm)

Credit Line

Gift of Theodore E. Stebbins, Jr., B.A. 1960, in memory of H. John Heinz III, B.A. 1960, and Collection of Mary C. and James W. Fosburgh, B.A. 1933, M.A. 1935, by exchange

Accession Number

1989.51.1

Culture
Period

19th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Bibliography
  • Stephen J. Hornsby and Richard W. Judd, eds., Historical Atlas of Maine (Orono: University of Maine Press, 2015), n.p., pl. 30
  • Helen A. Cooper et al., Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2008), 246–47, no. 140, ill.
  • Elise K. Kenney, ed., Handbook of the Collections: Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 1992), 29
  • Malcolm Robinson, The American Vision: Landscape Paintings of the United States (London: Octopus Books, 1988), 26, 28, 30
  • Robert G. Workman, The Eden of America: Rhode Island Landscapes, 1820–1920, exh. cat. (Providence, R.I: Rhode Island School of Design Museum, 1986), 34
  • Carol L. Troyen, The Boston Tradition: American Paintings from the Museum of Fine Arts, Boston (New York: American Federation of Arts, 1980), 124
  • Theodore E. Stebbins Jr., The Life and Works of Martin Johnson Heade (New Haven, Conn.: Yale University Press, 1975), 53–54, no. 120, pl. 2
Object copyright
Additional information

Object/Work type

landscapes (representations)

Signed

Signed lower left "M.J. Heade"

Technical metadata and APIs

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