The Veteran (Portrait of George Reynolds)

Artist: Thomas Eakins (American, 1844–1916)

1884–85

American Paintings and Sculpture


Twenty years after the American Civil War, the memory of walking with death is still fresh for this former soldier. Barely visible, the Medal of Honor decorates George Reynolds’s lapel as a reminder of his former service in the Union army. Reynolds’s physical scars from battle are evident on his forehead; less obvious are the psychological and emotional consequences of that wartime experience. By titling this haunting portrait The Veteran, the artist invested the distinctly individual image with a more universal meaning. Reynolds was a living monument to the war; his furrowed brow and distant, thoughtful gaze combine with his clasped hands to suggest lingering anxiety about the fate of the reunified country.

Medium

Oil on canvas

Dimensions

22 3/16 × 17 1/4 in. (56.4 × 43.8 cm)

Credit Line

Bequest of Stephen Carlton Clark, B.A. 1903

Accession Number

1961.18.20

Culture
Period

19th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Henry Shaefer, Pottsville, Penn.; Stephen Carlton Clark (1882–1960), New York; bequeathed to the Yale University Art Gallery, New Haven, Conn., 1961
Bibliography
  • Rebecca Zurier, "Thinking Like a Painter: Method and Manhood in Three Works by Thomas Eakins," in "Essays in Honor of Helen A. Cooper," special issue, Yale University Art Gallery Bulletin (2015), 67, fig. 2
  • Helen A. Cooper et al., Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2008), 73, 158–59, 329, no. 95, ill.
  • Michael Conforti et al., The Clark Brothers Collect: Impressionist and Early Modern Paintings, exh. cat. (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 2006), 316, 325, fig. 277
  • Doreen Bolger and Sarah Cash, eds., Thomas Eakins and the Swimming Picture, exh. cat. (Fort Worth: Amon Carter Museum of American Art, 1996), 55, fig. 24
Object copyright
Additional information

Object/Work type

figures (representations), human figures (visual works), portraits, warfare

Signed

Signed lower right "Eakins"; verso lower right "TE"

Technical metadata and APIs

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