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American Decorative Arts
Maker: Jeremiah Dummer, American, 1645–1718

Candlestick

probably 1686

Silver

10 13/16 × 7 7/16 × 7 7/16 in. (27.5 × 18.9 × 18.9 cm)
Mabel Brady Garvan Collection
1953.22.1
Geography: 
Made in Boston, Massachusetts
Status: 
On view
Culture: 
American
Period: 
17th century
Classification: 
Lighting Devices
Provenance: 

Possibly originally owned by Col. Peter Lidgett; David and Elizabeth (Usher) Jeffries; family of Dr. John Jeffries (1796-1876); Dr. John Jeffries' son, Dr. B. Joy Jeffries; his daughter, Marian Jeffries; her husband, J. Howard Means; gift in 1953 to Yale University Art Gallery, New Haven, Conn.

Bibliography: 

John Henry Buck, Old Plate, Its Makers and Marks, 2d ed. (New York: Gorham Manufacturing Company, 1903), 120–121, ill.

American Silver, the Work of Seventeenth and Eighteenth Century Silversmiths, exh. cat. (Boston: Museum of Fine Arts, Boston, 1906), 56, no. 93, 94, pls. 1, 2.

Francis H. Bigelow, Historic Silver of the Colonies and Its Makers (New York: MacMillan Company, 1917), 283–85, fig. 187.

Edward Wenham, “Candlesticks and Snuffers by American Silversmiths,” Antiques 18 (December 1930): 491, 493, fig. 1.

Clara Louise Avery, Early American Silver (New York: The Century Co., 1930), no. 47–48, 379, pl. 61, ill.

Hermann F. Clarke, “Jeremiah Dummer, Silversmith (1645–1718),” Antiques 28 (October 1935): 145, fig. 5.

Hermann F. Clarke and Henry Wilder Foote, Jeremiah Dummer: Colonial Craftsman and Merchant, 1645–1718 (Boston: Houghton Mifflin Company, 1935), 92–93, no. 9–10, pl. 5, ill.

Harvard Tercentenary Exhibition, exh. cat. (Cambridge, Mass.: Harvard University, 1936), 24, no. 86.

John Marshall Phillips, “Additions to the Garvan Collection of Silver,” Bulletin of the Associates in Fine Arts at Yale University 8, no. 1 (June 1937): 4–5.

John Marshall Phillips, Masterpieces of New England Silver, 1650–1800: An Exhibition Held June 18 through September 10, 1939, Gallery of Fine Arts, Yale University (Boston: Harvard University Press, 1939), 38–39, no. 70, fig. 8.

Stephen G. C. Ensko, American Silversmiths and Their Marks, 3 (New York: Ensko, Inc., 1948), vol. 3, p. 92, ill.

John Marshall Phillips, “Masterpieces in American Silver: Part 1, Seventeenth-Century Traditions,” The Magazine Antiques 54 (December 1948): 416, ill.

John Marshall Phillips, American Silver (New York: Chanticleer Press, 1949), 36, pl. 6a, ill.

Kathryn C. Buhler, Colonial Silversmiths, Masters and Apprentices, exh. cat. (Boston: Museum of Fine Arts, Boston, 1956), 57, no. 48.

Kathryn C. Buhler, French, English, and American Silver, exh. cat. (Minneapolis: Minneapolis Institute of Arts, 1956), 73, no. 212, fig. 36.

Kathryn C. Buhler and Graham Hood, American Silver in the Yale University Art Gallery, 2 vols. (New Haven, Conn.: Yale University Art Gallery, 1970), vol. 1, p. 15, no. 9, ill.

Martha Gandy Fales, Early American Silver for the Cautious Collector (New York: Funk & Wagnalls, 1970), 10–11, fig. 9b.

Barbara M. Ward and Gerald W. R. Ward, eds., Silver in American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1979), 39, 132–33, no. 138, ill.

Handbook of the Collections, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1992), 99, ill.

Patricia E. Kane, Colonial Massachusetts Silversmiths and Jewelers (New Haven, Conn.: Yale University Art Gallery, 1998), 390.

Susan B. Matheson, Art for Yale: A History of the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2001), 100, fig. 94.

Helen A. Cooper et al., Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2008), 188–89, no. 96, ill.

Edward S. Cooke, Jr., Inventing Boston: Design, Production, and Consumption (New Haven and London: Yale University Press, 2019), 158, fig. 183.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.