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American Decorative Arts
Maker: Peter Van Inbrugh, American, 1689–1740


ca. 1710–25


2 1/16 in. (5.2 cm) other (Handle): 2 1/2 in.(6.3 cm) other (bowl): 5 1/8 in.(13 cm)
Mabel Brady Garvan Collection
Made in New York, New York, North America
Not on view
18th century
Containers - Metals

Francis (1679-176) and Maria (Van Gaasbeck) Salisbury (?); their daughter, Elizabeth (Salisbury) Nicoll (1712-56); her son, Francis Nicoll (1739-1817); his daughter, Elizabeth (Nicoll) Sill (1764-1821); her son, William Nicoll Sill (1786-1844); his son, James Mather Sill (1828-1900); Sypher and Co. New York, NY; Miss Avery Atterbury Stimson; Willoughby Raff, Edgewater, NJ; Howard Sill, Baltimore, MD; Francis P. Garvan, New York, NY (1931).


Exhibition of Early American Paintings, Miniatures, and Silver, assembled by Washington Loan Exhibition Committee, exh. cat. (Washington, D.C.: National Gallery of Art, 1925), 101, no. 241.

Clara Louise Avery, An Exhibition of Early New York Silver, exh. cat. (New York: The Metropolitan Museum of Art, 1931), fig. 77.

R. Hastings, “The New York Silver Mark P.V.B.,” Antiques 24, no. 7 (July 1933): 6–8, fig. 6.

John Marshall Phillips, American Silver (New York: Chanticleer Press, 1949), 50.

From Colony to Nation; an Exhibition of American Painting, Silver and Architecture from 1650 to the War of 1812, exh. cat. (Chicago: The Art Institute of Chicago, 1949), 104–05, no. 216, ill.

Kathryn C. Buhler, Colonial Silversmiths, Masters and Apprentices, exh. cat. (Boston: Museum of Fine Arts, Boston, 1956), 88, no. 266.

Kathryn C. Buhler and Graham Hood, American Silver in the Yale University Art Gallery, 2 vols. (New Haven, Conn.: Yale University Art Gallery, 1970), vol. 2, p. 68, no. 616, ill.

Barbara M. Ward and Gerald W. R. Ward, eds., Silver in American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1979), 139, no. 145, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.