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Modern and Contemporary Art
Artist: Antonio Marasco, Italian, 1896–1975

Expansion of the Plastic Forces of a Village


Oil on composite board

49.5 × 71.1 cm (19 1/2 × 28 in.)
Gift of Collection Société Anonyme
Not on view
20th century

P.R. Vasari, Berlin, November 1922; Katherine Dreier, 1922–41; Yale University Art Gallery, New Haven, Conn.


Collection of the Société Anonyme: Museum of Modern Art 1920 (New Haven, Conn.: Yale University Art Gallery, 1950), 197, ill.

F. T. Marinetti, “La Seconde Generation Futuriste,” Cahiers d’Art 25 (1950): 197.

Maria Drudi Gambillo and Teresa Fiori, eds., Archivi del futurismo: raccolti e ordinati da Maria Drudi Gambillo e Teresa Fiori, 2 (Rome: De Luca, 1958–1962).

Maria Drudi Gambillo and Teresa Fiori, Archivi del Futurismo (Rome: De Luca, 1958–62).

Walter Zeitl, “Bragaglia und die Erneuerung des Buhnenbildes,” Maske und Kothurn 12 (1966): 339–50.

Rosa Trillo Clough, Futurism: The Story of a Modern Art Movement (New York: Greenwood Press, 1969).

Enrico Crispolti, Il mito della macchina e altri temi del futurismo (Trapani, Italy: Celebes, 1969).

Maurizio Calvezi, Il Futurismo (Milan: Fabbri, 1970).

Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney, The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné (New Haven, Conn.: Yale University Press, 1984), 432, no. 444, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.