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Modern and Contemporary Art
Photo credit: Yale University Art Gallery
Full-size image not available for download. Please contact Rights and Reproductions.
Artist: Ivo Pannaggi, Italian, 1901–1981

Architectonic Function 3U

ca. 1925–26

Oil on canvas

150 × 90 cm (59 1/16 × 35 7/16 in.) framed: 153.19 × 94.14 × 4.45 cm (60 5/16 × 37 1/16 × 1 3/4 in.)
Gift of Collection Société Anonyme
Not on view
20th century

KSD from the artist, 5 Oct. 192, for 3000 lire


“The Work of Ivo Pannaggi,” Advertising Art (January 1930): 54–55.

Collection of the Société Anonyme: Museum of Modern Art 1920 (New Haven, Conn.: Yale University Art Gallery, 1950), 62.

Ivo Pannaggi, Ivo Pannaggi (Oslo: Reclamo Trykkeri, 1962), 72, 77.

Jacques Polieri, “Les Promateurs de la Scenographie Moderne,” Aujourd’hui nos. 42–43 (October 1963): 132–39.

Enrico Crispolti, “Il constructivismo “meccanio” di Pannaggi,” Palatino (1968): 418.

Enrico Crispolti, Il mito della macchina e altri teni del futurismo (Trapani, Italy: Laterza, 1969), 393.

Pannaggi, exh. cat. (Rome: Studio d’Arte Moderna, 1969).

Enrico Crispolti, “Un Arredamento Futurista di Pannaggi,” Arte Illustrata 2 (October–December 1969): 72–80.

Anna Caterina Toni, L’attivita artistica di Ivo Pannaggi nel periodo giovanile (1921–1926) (Macerata, Italy: La Nuova Foglio, 1976), 13, 70–71.

Anna Caterina Toni, L’attività Artistica di Ivo Pannaggi nel Periodo Giovanile (Pollenza-Macerata, Italy: La Nuova Foglio, 1976), comp cit.

Valerie Fletcher, Dreams and Nightmares: Utopian Visions in Modern Art, exh. cat. (Washington, D.C.: Smithsonian Institution Press, 1983).

Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney, The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné (New Haven, Conn.: Yale University Press, 1984), 499, no. 523, ill.

Enrico Crispolti, Pannaggi e l’arte meccanica futurista (Milan: Mazzotta, 1995).

Ruth L. Bohan et al., The Société Anonyme: Modernism for America, ed. Jennifer Gross, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2006), 125, fig. 16.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.