Modern and Contemporary Art
Photo credit: Yale University Art Gallery
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Artist: Ivo Pannaggi, Italian, 1901–1981

Architectonic Function 3U

ca. 1925–26

Oil on canvas

150 × 90 cm (59 1/16 × 35 7/16 in.)
framed: 153.19 × 94.14 × 4.45 cm (60 5/16 × 37 1/16 × 1 3/4 in.)
Gift of Collection Société Anonyme
1941.616
Status: 
Not on view
Culture: 
Italian
Period: 
20th century
Classification: 
Paintings
Provenance: 

KSD from the artist, 5 Oct. 192, for 3000 lire

Bibliography: 

Ruth L. Bohan et al., The Société Anonyme: Modernism for America, ed. Jennifer Gross, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2006), 125, fig. 16.

Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney, The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné (New Haven, Conn.: Yale University Press, 1984), 499, no. 523, ill.

Collection of the Société Anonyme: Museum of Modern Art 1920 (New Haven, Conn.: Yale University Art Gallery, 1950), 62.

Ivo Pannaggi, Ivo Pannaggi (Oslo: Reclamo Trykkeri, 1962), 72, 77.

Enrico Crispolti, Il mito della macchina e altri teni del futurismo (Trapani, Italy: Laterza, 1969), 393.

Anna Caterina Toni, L’attivita artistica di Ivo Pannaggi nel periodo giovanile (1921–1926) (Macerata, Italy: La Nuova Foglio, 1976), 13, 70–71.

Enrico Crispolti, Pannaggi e l’arte meccanica futurista (Milan: Mazzotta, 1995).

Enrico Crispolti, “Il constructivismo “meccanio” di Pannaggi,” Palatino (1968): 418.

Valerie Fletcher, Dreams and Nightmares: Utopian Visions in Modern Art, exh. cat. (Washington, D.C.: Smithsonian Institution Press, 1983).

Jacques Polieri, “Les Promateurs de la Scenographie Moderne,” Aujourd’hui nos. 42–43 (October 1963): 132–39.

Enrico Crispolti, “Un Arredamento Futurista di Pannaggi,” Arte Illustrata 2 (October–December 1969): 72–80.

“The Work of Ivo Pannaggi,” Advertising Art (January 1930): 54–55.

Anna Caterina Toni, L’attività Artistica di Ivo Pannaggi nel Periodo Giovanile (Pollenza-Macerata, Italy: La Nuova Foglio, 1976), comp cit.

Pannaggi, exh. cat. (Rome: Studio d’Arte Moderna, 1969).

Lucia Colombari, “Katherine S. Dreier, the Société Anonyme, and Italian Futurism,” Yale University Art Gallery Bulletin (2020–2021): 86–93, fig. 4.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.