The Factory

ca. 1921

Oil on canvas

65.8 × 81.8 cm (25 7/8 × 32 3/16 in.)

Gift of Collection Société Anonyme

1941.453

Status:

Not on view

Culture:

German

Period:

20th century

Classification:

Paintings

Provenance:

Adolf Erbsloh, Munich; 1921–22; Katherine Dreier, 1922–41; Yale University Art Gallery, New Haven, Conn.

Bibliography:

Ruth L. Bohan et al., The Société Anonyme: Modernism for America, ed. Jennifer Gross, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2006), 173, ill.

Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney, The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné (New Haven, Conn.: Yale University Press, 1984), 263, no. 257, ill.

Collection of the Société Anonyme: Museum of Modern Art 1920 (New Haven, Conn.: Yale University Art Gallery, 1950), 183-84, ill.

“Art Exemplifies Expressionism,” Vassar Miscellany News (April 13, 1927).

“In Memoriam,” Neue Zeitung 1, no. 7 (1946–1947): 44.

Walter Riezler, Adolf Erbsloh (1881–1947): Gedächtnis-Ausstellung, exh. cat. (Munich: Galerie Otto Stangl, 1955).

Gunter Aust and Hans Wille, Adolf Erbslöh, 1881–1947, exh. cat. (Wuppertal, Germany: Kunst und Museumverein, 1967), n.p.

Hans Wille, Adolf Erbslöh (Recklinghausen, Germany: Recklinghausen A. Bongers, 1982), 80, 119, no. 50, Comp. cit.

Hans Wille, Adolf Erbslöh 1881 bis 1947: Zeichnungen, exh. cat. (Hamm, Germany: Städtisches Gustav-Lübcke-Museum, 1986), Comp. cit.

Hans Wille, “Adolf Erbslöh,” Wallraf-Richartz Jarbuch 31 (1969): 275–276, Comp. cit.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.