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American Decorative Arts
Maker: John Geib, Jr., active 1815–22

Piano

1815–20

Case, mahogany veneer on eastern white pine; pedestals, base, mahogany; drawer sides, backs, bottoms, yellow poplar; brace above left pedestal support, other elements, American black cherry; keys, basswood with ebony and ivory facings; soundboard, spruce; other piano elements, soft maple and eastern white pine; inlays, light and dark woods; figured panel on nameboard, probably maple rather than satinwood.

35 1/8 × 69 1/8 × 24 13/16 in. (89.2 × 175.6 × 63 cm)
Mabel Brady Garvan Collection
1930.2775
Geography: 
Made in New York, New York
Status: 
By appointment
Culture: 
American
Period: 
19th century
Classification: 
Musical Instruments
Provenance: 

R. T. Haines Halsey, New York; purchased by Francis P. Garvan, New York. Gift in 1930 to Yale University Art Gallery, New Haven, Conn.

Bibliography: 

Charles O. Cornelius, Furniture Masterpieces of Duncan Phyfe (Garden City, N.Y.: Doubleday & Company, Inc., 1922), 79–80, pl. 52, facing p. 75.

Charles O. Cornelius, “The Distinctiveness of Duncan Phyfe,” Antiques 5, no. 2 (November 1922): 208, fig. 7.

William Farquhar Payson, ed., Mahogany, Antique and Modern (New York: E.P. Dutton, 1926), between pp. 76–77.

Charles Messer Stow, “The Theme of Luxury in the Garvan Collection,” Antiquarian 3, no. 15 (September 1930): 36, 70, ill.

Nancy A. McClelland, Duncan Phyfe and the English Regency, 1795–1830 (New York: William Scott, 1935), pl. 84.

John Marshall Phillips, “Outstanding Examples from the Mabel Brady Garvan Collections,” Bulletin of the Associates in Fine Arts at Yale University 8, no. 2 (February 1938): 44, ill.

N. A. Smith, “The Case of the Nineteenth-Century Piano: Grand, Square, and Upright,” Valuation (June 1984), 16–17.

Gerald W. R. Ward, American Case Furniture in the Mabel Brady Garvan and Other Collections at Yale University (New Haven, Conn.: Yale University Art Gallery, 1988), 447, 449–51, no. 231, ill.

Handbook of the Collections, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1992), 60.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.