American Decorative Arts
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Photo credit: Yale University Art Gallery
PrevNext2 of 2
Photo credit: Yale University Art Gallery
Maker: Peter Van Dyck, American, 1684–1751

Mustard Pot

ca. 1710

Silver

5 1/8 in. (13 cm) base (Base): 3 3/8 in.(8.6 cm)
Mabel Brady Garvan Collection
1930.1332
Culture: 
American
Period: 
18th century
Classification: 
Containers - Metals
Geography: 
Made in New York, New York
Status: 
On view
Bibliography: 

Katherine B. Hastings, “Peter Van Dyck of New York, Goldsmith, 1684-1750 part II,” Antiques 31 (June 1937): 302, fig. 12.

An Exhibition of Silver: French, British, American, Modern, exh. cat. (Richmond, Va.: Virginia Museum of Fine Arts, 1940), no. 291.

Stephen G. C. Ensko, American Silversmiths and Their Marks, 3 (New York: Ensko, Inc., 1948), 112, ill.

John Marshall Phillips, American Silver (New York: Chanticleer Press, 1949), 51, pl. 10, ill.

From Colony to Nation; an Exhibition of American Painting, Silver and Architecture from 1650 to the War of 1812, exh. cat. (Chicago: The Art Institute of Chicago, 1949), 104, 117, no. 212, ill.

Kathryn C. Buhler and Graham Hood, American Silver in the Yale University Art Gallery, 2 vols. (New Haven, Conn.: Yale University Art Gallery, 1970), vol. 2, p. 43, no. 589.

Graham Hood, American Silver: A History of Style, 1650–1900 (New York: Praeger, 1971), 88–89, fig. 80.

Barbara M. Ward and Gerald W. R. Ward, eds., Silver in American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1979), 109, no. 100, ill.

Natalie Zemon Davis, Marybeth De Filippis, and Joyce D. Goodfriend, Dutch New York Between East and West: The World of Margrieta van Varick, exh. cat. (New York: Bard Graduate Center, 2009), 314, no. 160, ill.

Marybeth De Filippis, “Margrieta van Varick’s ‘East Indian’ Goods: A Possible Influence on Colonial American Silver,” The Magazine Antiques (September 2009): 86.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.