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American Paintings and Sculpture
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Photo credit: Yale University Art Gallery
PrevNext2 of 2
Photo credit: Yale University Art Gallery
Subject: William Dunlap, American, 1766–1839

Self-Portrait

ca. 1805

Watercolor on ivory

2 1/2 × 1 7/8 in. (6.4 × 4.8 cm)
Lelia A. and John Hill Morgan, B.A. 1893, LL.B. 1896, M.A. (Hon.) 1929, Collection
1938.95
William Dunlap’s diary recounts a life spent wandering in pursuit of commissions and sleeping in rented rooms away from home: having traveled continuously for two months, on February 19, 1806, he observed that it was his fortieth birthday and he was away from home. This self-portrait probably comforted his wife, Elizabeth Woolsey, and their children during his journeys along the eastern seaboard while they remained in Perth Amboy, New Jersey. The miniature might have also held personal meaning for Dunlap, whose turned head suggests a degree of self-consciousness about his appearance. As the result of a childhood accident, he was blind in his right eye. In addition to his career as an itinerant artist, Dunlap is known as the first historian of American art. His History of the Rise and Progress of the Arts of Design in the United States (1834) traces the challenges of portrait-making in early America. Following an unsuccessful period of study in London with Benjamin West, Dunlap returned to New York, where he became involved in the theater, first as a playwright and then as a theater manager. In 1805 his company went bankrupt, and Dunlap returned to painting, pursuing miniatures, full-scale portraits, and large history paintings that he exhibited in major eastern cities.
Geography: 
Made in United States
Status: 
Not on view
Culture: 
American
Period: 
19th century
Classification: 
Miniatures - Jewelry
Bibliography: 

Maura Lyons, William Dunlap and the construction of an American art history (Amherst, Mass.: University of Massachusetts Press, 2005), Cover, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.