Punch Strainer

Francis H. Bigelow, Historic Silver of the Colonies and Its Makers (New York: MacMillan Company, 1917), 364 - 65, fig. 262.

Anderson Galleries and American Art Association, New York, Colonial Furniture, Silver, and Decorations: The Collection of the Late Philip Flayderman, sale cat. (January 2–4, 1930).

Rhode Island Tercentenary Exhibition, exh. cat. (Providence: Museum of Art, Rhode Island School of Design, 1936), no. 83.

John Marshall Phillips, Masterpieces of New England Silver, 1650–1800: An Exhibition Held June 18 through September 10, 1939, Gallery of Fine Arts, Yale University (Boston: Harvard University Press, 1939), 23, no. 25.

Stephen G. C. Ensko, American Silversmiths and Their Marks, 3 (New York: Ensko, Inc., 1948), 102, ill.

John Marshall Phillips, American Silver (New York: Chanticleer Press, 1949), 98.

The New England Silversmith, exh. cat. (Procidence, R.I.: Museum of Art, Rhode Island School of Design, 1965), no. 255.

Kathryn C. Buhler and Graham Hood, American Silver in the Yale University Art Gallery, 2 vols. (New Haven, Conn.: Yale University Art Gallery, 1970), vol. 1, p. 283, no. 471, ill.

Martha Gandy Fales, Early American Silver for the Cautious Collector (New York: Funk & Wagnalls, 1970), 66, fig. 60.

Graham Hood, American Silver: A History of Style, 1650–1900 (New York: Praeger, 1971), 151–53, fig. 160.

Charles F. Montgomery and Patricia E. Kane, eds., American Art: 1750–1800 Towards Independence, exh. cat. (Boston: New York Graphic Society, 1976), 191, fig. 145.

Thomas E. Norton, 100 Years of Collecting in America: The Story of Sotheby Parke Bernet (New York: Harry N. Abrams, Inc., 1984), 112, ill.

Harold Newman, An Illustrated Dictionary of Silverware (New York: Thames and Hudson, 1987), 252, ill.

Handbook of the Collections, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1992), 106, ill.