In this work Kurt Schwitters juxtaposes a large image of a woman, probably taken from an advertisement, with a drawing of a female head, possibly a magazine illustration, that appears to turn toward the other woman. The woman with the rectangle hiding her eyes seems enigmatic, almost disturbing, given the postwar context. The levity conveyed by her beaming smile, shiny hair, and attire (perhaps a bathing suit) stands in sharp contrast to the gravity of events in Schwitters’s personal life, including the death of his wife in 1944, years spent in a British internment camp, and severe health problems. Yet the overall image draws from his new cultural environment in the United Kingdom, particularly mass media and popular culture, in an almost humorous way.