Los Caprichos [80 prints, bound]
Artist: Francisco Goya (Spanish, 1746–1828)
Image not available
- Medium
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Etching and aquatint
- Dimensions
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platemark (each): 21.8 × 15.1 cm (8 9/16 × 5 15/16 in.)
sheet (each): 37.5 × 26 cm (14 3/4 × 10 1/4 in.) - Credit Line
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Bequest of Ralph Kirkpatrick, Hon. M.A. 1965
- Accession Number
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1984.54.92.1-.80
- Geography
- Culture
- Period
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18th century
- Classification
- Disclaimer
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Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.
Bibliography
- Juan Carrete Parrondo, Goya Estampas: Grabados y Litografia (Barcelona: Electa, 2007).
- Juan Carrete, Goya: Estampas, grabados y litografia (Barcelona: Random House Mondadori, 2007).
- Manuela B. Mena Marques and Gudurn Muhle-Maurer, Duquesa de Alba, "musa" de Goya: El Mito y La Historia (Madrid: Museo del Prado, 2006).
- Pedro Montilla Lopez, Enfermedad y enjevecimiento en la creatividad de Goya: Enfoque neurobiologico (Cordoba, Spain: Publication Services of University of Cordoba, 2005).
- Andrew Schulz, Goya's Caprichos: Aesthetics, Perception, and the Body (New York: Cambridge University Press, 2005).
- Natacha Sesena, Goya y Las Mujeres (Madrid: Santilla General Editions, 2004).
- Werner Hofmann, Goya: To Every Story There Belongs Another (London: Thames and Hudson, 2003).
- Janis Tomlinson, Goya: Images of Women (New Haven, Conn.: Yale University Press, 2002).
- Yale University Press, Manet Manette (New Haven, Conn.: Carol Armstrong, 2002).
- Francisco Calvo Serraler, Goya: Imagen de la Mujer (Madrid: Museo del Prado, 2001).
- Fred Licht, Goya (New York: Abbeville Press, 2001).
- Javier Benito Blas, Juan Carrete Parrondo, and Juan Bordes, Goya: Personajes y Rostros, exh. cat. (Barcelona: Fundacio Caixa Catalunya, 2000).
- Victor I. Stoichita and Anna-Maria Coderch, Goya: The Last Carnival (London: Reaktion Books, 1999).
- Juan Carrete Parrondo et al., Mirar y leer: Los Caprichos de Goya, exh. cat. (Zaragoza, Spain: Zaragoza Provincial Press, 1999).
- Javier Benito Blas, Jose Manuel Matilla, and and Jose Miguel Medrano, El libro de los Caprichos, dos siglos de interpertaciones, 1799–1999: Catalogo de los dibujos, pruebas de estado, laminas de cobre, y estampas de la primera edicion (Madrid: Museo del Prado, 1999).
- Susan Waldmann, Goya and the Duchess of Alba (Munich: Prestel-Verlag, 1998).
- Dorothy Noyes, "La Maja Vestida: Dress and Resistance to Enlightenment in Late 18th Century Madrid," The Journal of American Foklore 111, no. 440 (Spring 1998).
- Alfonso E. Perez Sanchez, Goya: The Complete Etchings and Lithographs (Ann Arbor, Mich.: University of Michigan Press, 1995).
- Juliet Wilson-Bareau, Goya: La Decada de los Caprichos (Madrid: Real Academia de Bellas Artes de San Fernando, 1992).
- Janis Tomlinson, Goya in the Twilight of Enlightenment (New Haven, Conn.: Yale University Press, 1992).
- R. S. Johnson Fine Art, Chicago, Goya: Los Caprichos, sale cat. (1992).
- Janis Tomlinson, "Burn It, Hide It, Flaunt It: Goya's Majas and the Censorial Mind," Art Journal 50, no. 4 (Winter 1991).
- Christopher C. Soufas, ""Esto si que es leer": Learning to Read Goya's Los Caprichos," Word and Image 2, no. 4 (October–December 1986).
- Valeriano Bozal, Imagen de Goya (Barcelona: Lumen, 1983).
- Oto Bihalji Merin, Los Caprichos: Su Verdad Escondida (Madrid: Encuentro, 1983).
- John Dowling, "Capricho as Style in Life, Literature, and Art from Zamora to Goya," Eighteenth Century Studies 10, no. 4 (1977).
- Edith Helman, Los "Caprichos" de Goya (Barcelona: Salvat, 1971).
- Tomas Harris, Goya: Engravings and Lithographs (Oxford: Bruno Cassirer, 1964).
- Francisco Javier Sanchez Canton, Los Caprichos de Goya y sus dibujos preparatorios (Barcelona: Instituto Amatller de Arte Hispanico, 1949).
- Elizabeth du Gue Trapier, "Unpublished Drawings by Goya in The Hispanic Society of America," Master Drawings 2, no. 1 (Spring 1936).
Object copyright
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