La Resistance Artist: Robert Motherwell (American, 1915–1991)

1945

Modern and Contemporary Art

Not on view
Medium

Oil and paper collage on cardboard

Dimensions

36 × 47 3/4 in. (91.4 × 121.3 cm)
framed: 45 9/16 × 57 1/4 × 2 5/8 in. (115.73 × 145.42 × 6.67 cm)

Credit Line

Gift of Fred Olsen

Accession Number

1954.51.4

Culture
Period

20th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Bibliography
  • Mary Ann Caws, Robert Motherwell: With Pen and Brush (London: Reaktion Books, 2003), 21
  • Marcelin Pleynet, "Art et Litterature: Riverrun," La Nouvelle Revue Francaise 546/547 (July/August 1998), 87, 92–93
  • Marcelin Pleynet, Art and Literature: Robert Motherwell's Riverrun (London: Reaktion Books, 1991), 12
  • Stephen Polcari, Abstract Expressionism and the Modern Experience (Cambridge: Cambridge University Press, 1991), 303
  • Jack Flam, Motherwell (London: Phaidon, 1991), fig. 9
  • Tova Navarra, "'Hearing' Motherwell at Montclair," Asbury Park Press (December 17, 1989), F1
  • Marcelin Pleynet, Robert Motherwell (France: Daniel Papierski, 1989),
  • Robert Saltonstall Mattison, Robert Motherwell: The Formative Years (Ann Arbor, Mich.: University of Michigan Research Press, 1987), 139, 142–43
  • William C. Seitz, Abstract Expressionist Painting in America (Cambridge, Mass.: Harvard University Press, 1983), 166–68
  • H.H. Arnason, Robert Motherwell, 2 (New York: Harry N. Abrams, Inc., 1982), 21–22, 24
  • Jonathan Fineberg, "Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art," Artforum 17, no. 1 (September 1978), 53
  • Gene Baro, Twelve Americans: Masters of Collage, exh. cat. (New York: Andrew Crispo Gallery, 1977), 118, ill
  • H.H. Arnason, Robert Motherwell, 1 (New York: Harry N. Abrams, Inc., 1977), 46
  • Robert Motherwell: Retrospectiva del gran pintor norteamericano, exh. cat. (Mexico City: Museo de Arte Moderno, 1975),
  • E. A. Carmean, Jr., The Collages of Robert Motherwell: A Retrospective Exhibition, exh. cat. (Houston: Museum of Fine Arts, Houston, 1972), 12–14, 17, ill
  • Ann Holmes, "MFA Motherwell Collage Exhibit Very Important," Houston Chronicle (November 15, 1972), 8
  • Gert Schiff, "United States Representation, VI Sao Paulo Bienal," Art International 5, no. 10 (December 25, 1961), 63
  • William C. Seitz, Abstract Expressionist Painting in America: An Interpretation Based on the Work and Thoughts of Six Key Figures (Ann Arbor, Mich.: University of Michigan Research Press, 1955), 64
  • "Reviews and Previews," Artnews 47, no. 7 (November 1949), 51
  • Marynell Sharp, "Robert Motherwell Collages," Art Digest 24, no. 2 (October 15, 1949), 22
  • Weldon Kees, "Robert Motherwell," Magazine of Art 41, no. 3 (March 1948), 86
  • Edward Alden Jewell, "Abstract Painting and Sculpture: Motherwell and Sobel," New York Times (January 6, 1946), 7
  • "Exhibition, Kootz Gallery," Artnews 44 (January 15–31, 1946), 21
  • Ben Wolf, "Difficult Origins," Art Digest 20, no. 6 (January 15, 1946), 17
Object copyright
Additional information

Object/Work type

abstract (general art genre)

Subject

shapes

Inscriptions

upper left "Motherwell"

Technical metadata and APIs

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