The Play Scene in Hamlet, Act III, Scene II

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

1897

American Paintings and Sculpture

Not on view



This scene from William Shakespeare’s Hamlet depicts the assembled court of Denmark watching a play that Hamlet has devised to "catch the conscience of the king." Suspecting that his father, the former king, was poisoned by his uncle Claudius, Hamlet has orchestrated a performance with a similar assassination plot. Languidly sprawled on the ground beside a wide-eyed Ophelia, Hamlet looks furtively over his shoulder to gauge his uncle’s reaction. Everyone else stares beyond the painting’s setting, toward the "play" before them. The viewer, standing in front of the canvas, thus occupies the same space as the actors on stage. The Philadelphia-born Edwin Austin Abbey, who settled in London in 1878, won fame on both sides of the Atlantic as an illustrator and painter of literary classics.

Medium

Oil on canvas

Dimensions

61 1/4 × 96 1/2 in. (155.6 × 245.1 cm)

Credit Line

Edwin Austin Abbey Memorial Collection

Accession Number

1937.2171

Culture
Period

19th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Edwin Austin Abbey Estate, 1937; Yale University Art Gallery, New Haven, Conn.
Bibliography
  • Matthew Monteith, "The Explainers," in "Teaching with Art," special issue, Yale University Art Gallery Bulletin (2013), 62
  • Angus Trumble et al., Edwardian Opulence: British Art at the Dawn of the Twentieth Century, eds. Angus Trumble and Andrea Wolk Rager, exh. cat. (New Haven: Yale Center for British Art, 2013), 110, no. 66
  • Katharine A. Craik and Tanya Pollard, Shakespearean Sensations: Experiencing Literature in Early Modern England (Cambridge, UK: Cambridge University Press, 2013), cover ill.
  • Kimberly Rhodes, Ophelia and Victorian Visula Culture (Oxfordshire, England: Routledge, 2008), 163, fig. 5.2
Object copyright
Additional information

Object/Work type

allegories, figures (representations), histories (visual works), human figures (visual works), literature (general genre)

Signed

Signed lower left "E.A. Abbey 1897"

Technical metadata and APIs

IIIF

Open in Mirador

View IIIF manifest

The International Image Interoperability Framework, or IIIF, is an open standard for delivering high-quality, attributed digital objects online at scale. Visit iiif.io to learn more

Linked Art

API response for this object

Linked Art is a Community working together to create a shared Model based on Linked Open Data to describe Art.