Tapping into print culture’s long history of engaging in biting social commentary, Enrique Chagoya’s sardonic multiples examine complicated sociopolitical issues. His affinity for syncretizing imagery rooted in Mexican culture and American politics serves as an effective tool to openly critique elites, including those in the contemporary art world. In Enlightened Savage, which references Pop artist Andy Warhol’s famous images of Campbell’s Soup cans, Chagoya openly condemns the exploitative relationship imposed on artists by dealers, galleries, and others in the contemporary art world. Here, the traditional Campbell’s Soup flavors have been replaced with ones like "Collector’s Broth" and "Fundraiser’s Adobo," as if to suggest that artists have no other recourse but to swallow one of these flavors in order to survive.