Collection

Only show items with image
Open Access
Availability

Filter by:

Not on view (72)
By appointment, Duffy Study Room (72)
Classification

Filter by:

Prints (72)
Culture

Filter by:

French (72)
Department

Filter by:

Prints and Drawings (72)
Geography

Filter by:

France (3)
Date

Filter between:

Apply

72 results

Your applied filters:

Publisher: Aubert et Cie (Paris, founded 1829)

Moderne Galilée. Et pourtant elle marche. (A Modern Galileo. And yet she moves.), pl. 436 from the journal La Caricature no. 209

Artist: Honoré Daumier (French, 1808–1879)
Printer: Delaunois (French, active, 1830–1840)
Publisher: Aubert et Cie (Paris, founded 1829)

Mr. PRUNE., pl. 288 from the series Célébrités de la Caricature (Celebrities from La Caricature), from the journal La Caricature no. 158

Artist: Honoré Daumier (French, 1808–1879)
Printer: L. de Becquet (French, active Paris, ca. 1832–61)
Publisher: Aubert et Cie (Paris, founded 1829)

Mr. Joliv . . . , pl. 346 from the series Célébrités de la Caricature (Celebrities from La Caricature), from the journal La Caricature no. 164

Artist: Honoré Daumier (French, 1808–1879)
Printer: L. de Becquet (French, active Paris, ca. 1832–61)
Publisher: Aubert et Cie (Paris, founded 1829)

Mr. Pot De Naz, pl. 270 from the series Célébrités de la Caricature (Celebrities from La Caricature) from the journal La Caricature no. 130

Artist: Honoré Daumier (French, 1808–1879)
Printer: L. de Becquet (French, active Paris, ca. 1832–61)
Publisher: Aubert et Cie (Paris, founded 1829)

Mlle Etienne-Joconde-Cunégonde-Bécassin de Constitutionnel, indignée, suffoquée ebouriffée et rococofiée à la représentation d' Antony où ce polisson de Dumas a eu l'immoralité de se moquer de la noble famille Bécassine de Constitutionnel (Miss Etienne-Mona-Lisa-Cunégonde-Silly Goose of the Constitutionnel, indignate, choking and over-ornate at the performance of Anthony in which the mischievous Dumas had the indecency of scoffing at the noble family Silly Goose of the Constitutionnel.), pl. 585 from the journal La Caricature no. 183

Artist: Honoré Daumier (French, 1808–1879)
Printer: Delaunois (French, active, 1830–1840)
Publisher: Aubert et Cie (Paris, founded 1829)

Baissez le rideau, la farce est jouée. (Lower the curtain, the farce is over.), pl. 421 from the journal La Caricature no. 201\r\n

Artist: Honoré Daumier (French, 1808–1879)
Printer: Delaunois (French, active, 1830–1840)
Publisher: Aubert et Cie (Paris, founded 1829)

Magot de la Chine. (Tiré du Cabinet de Mr. Ch. Philipon.) (A treasure from China. (taken from the private collection of Mr. Ch. Philipon)), pl. 416 from the journal La Caricature no. 199\r\n

Artist: Honoré Daumier (French, 1808–1879)
Printer: Delaunois (French, active, 1830–1840)
Publisher: Aubert et Cie (Paris, founded 1829)

Dup . . . ,pl. 171 from the series Célébrités de la Caricature (Caricature's Celebrities), from the journal La Caricature no. 85

Artist: Honoré Daumier (French, 1808–1879)
Printer: L. de Becquet (French, active Paris, ca. 1832–61)
Publisher: Aubert et Cie (Paris, founded 1829)

D'ARG, pl. 188 from the series Célébrités de la Caricature, from the journal La Caricature no. 92

Artist: Honoré Daumier (French, 1808–1879)
Printer: L. de Becquet (French, active Paris, ca. 1832–61)
Publisher: Aubert et Cie (Paris, founded 1829)

Le petit Thiers, baptisé Doctrinaire (Young Thiers' doctrinarian baptism), from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer: Delaunois (French, active, 1830–1840)
Publisher: Aubert et Cie (Paris, founded 1829)

Mr. D'Argo, pl. 292 from the series Célébrités de la Caricature, from the journal La Caricature no. 140

Artist: Honoré Daumier (French, 1808–1879)
Printer: L. de Becquet (French, active Paris, ca. 1832–61)
Publisher: Aubert et Cie (Paris, founded 1829)

Mr. Barthe, pl. 294 from the series Célébrité de la Caricature (Caricature's Celebrities), from the journal La Caricature no. 141

Artist: Honoré Daumier (French, 1808–1879)
Printer: L. de Becquet (French, active Paris, ca. 1832–61)
Publisher: Aubert et Cie (Paris, founded 1829)

Où allons-nous, où allons-nous? . . . nous marchons sur un volcan, l'abîme des révolutions est ouvert sous nos pas . . . . . . le char de l'état est arrêté par le débordement de toutes ces mauvaises passions. (Where are we going, where are we going? . . . we are walking on a volcano, below us is the wreckage of revolution . . . . . . the wheels of State are foundering because of the torrents of all these evil passions.), pl. 425 from the journal La Caricature no. 203

Artist: Honoré Daumier (French, 1808–1879)
Printer: Delaunois (French, active, 1830–1840)
Publisher: Aubert et Cie (Paris, founded 1829)

Ah! His ! . . . Ah ! His ! Ah ! His ! . . . (Heave-ho! . . . Heave-ho ! Heave-ho ! . . .), pl. 179 from the journal La Caricature no. 89 \r\n

Artist: Honoré Daumier (French, 1808–1879)
Printer: L. de Becquet (French, active Paris, ca. 1832–61)
Publisher: Aubert et Cie (Paris, founded 1829)

La Tentation. (Temptation.), pl. 453 from the journal La Caricature no. 217

Artist: Honoré Daumier (French, 1808–1879)
Printer: Delaunois (French, active, 1830–1840)
Publisher: Aubert et Cie (Paris, founded 1829)

Le Puits de Grenelle (The Well of Grenelle), pl. 37 from the series Moeurs Conjugales (Marital Customs)

Artist: Honoré Daumier (French, 1808–1879)
Printer: Bauger et Cie (French, founded 1830)
Publisher: Aubert et Cie (Paris, founded 1829)

Résurrection de la Censure (The Resurrection of Censorship), from La Caricature, no. 62, pl. 125

Lithographer: Jean Ignace Isidore Gérard (French, 1803–1847)
After: Eugène Forest (French, 1808–1891)
Publisher: Aubert et Cie (Paris, founded 1829)

C'est singulier comme ce miroir m'aplatit la taille et me maigrit la poitrine! . . . Que m'importe? . . . Mme de Staël et Mr. de Buffon l'ont proclamé: . . . le génie n'a point de sexe (It's Curious How this Mirror Flattens My Figure and Slims My Bust! What Do I Care? . . . Mme de Staël and Mr. de Buffon Proclaimed It . . . Genius Has No Sex), pl. 1 from the series Les bas-bleus (The Bluestockings) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Publisher: Aubert et Cie (Paris, founded 1829)

Dis donc. . . mon mari. . . j'ai bien envie d'appeler mon drame Arthur et d'intituler mon enfant Oscar!. . . mais non. . . toute réflexion faite, je ne déciderai rien avant d'avoir consulté mon collaborateur!. . . (Listen. . . my husband. . . I am tempted to call my drama "Arthur" and my child "Oscar!". . . but no. . . all things considered, I will not decide anything without consulting my collaborator!), pl. 2 from the series Les Bas-Bleus (The Bluestockings) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Publisher: Aubert et Cie (Paris, founded 1829)

Adieu, mon cher, je vais chez mes éditeurs;. . . je ne rentrerai probablement que fort tard. . . ne manquez pas de donner encore deux fois la bouillie à Dodore. . . s'il a besoin. . . d'autre chose. . . vous trouverez ça sous le lit. . . (Good bye my dear, I am off to see my publisher;. . .I probably won't be back until quite late. . .make sure to give Dodore his pap twice more. . .if he needs. . . something else. . .you'll find it under the bed), pl. 3 from the series Les Bas-bleus (The Bluestockings) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Publisher: Aubert et Cie (Paris, founded 1829)

Au revoir, Ophélia!. . .ne manquez pas de venir mardi soir. . .c'est une réunion littéraire en petit comité. . .nous lirons des élégies et nous ferons du bischoff!. . . (Farewell, Ophélia!. . . and don't forget to come Tuesday evening. . . it's a literary meeting in an intimate circle. . . we'll read elegies and make mulled wine!), pl. 4 from Les Bas-Bleus (The Bluestockings) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Publisher: Aubert et Cie (Paris, founded 1829)

Dis donc, Bichette. . .à quoi songes-tu donc de te promener comme ça la nuit?. . .est-ce que t'es somnambule, ou bien, est-ce que t'as la colique?. . ./Non. . .je cherche un moyen neuf de tuer un mari. . .je ne me recouche pas que je n'ai trouvé mon moyen!. . .il me le faut pour terminer mon roman!. . ./Saperlotte! pourvu qu'elle ne l'essaye pas sur moi! (Listen, honey. . .what are you thinking about to be wandering about during the night?. . .are you sleep-walking, or have you got a stomach-ache?. . ./ No, I'm looking for a new way to kill a husband. . .and I'm not going back to bed till I've found one!. . . I need it to finish my novel!. . ./ The devil! as long as she doesn't try it on me!), pl. 5 from the series Les Bas-Bleus (The Bluestockings) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Publisher: Aubert et Cie (Paris, founded 1829)

- Messieurs, je viens offrir à votre journal, un roman-feuilleton qui, je crois, lui conviendra parfaitement ! . . . il a pour titre Eloa, ou huit jours de bonheur intime . . . . . la première partie formera dix ou douze volumes . . . . à la manière d'Eugène Sue ! . . . - Pardon madame ! . . . mais ceci me paraît effrayant ! . . . . à ce compte-là vos huit jours dureront trois ans! (- Gentlemen, I am offering your paper a serialized novel that I believe will fit perfectly ! . . . The title is Eloa, or eight days of intimate happiness . . . . . the first part consists of ten or twelve volumes . . . . written in the manner of Eugène Sue ! . . . - Sorry Madame ! . . . but this is absolutely frightening ! . . . this way your eight days will last at least three years!), pl. 6 from the series Les Bas-Bleus (The Bluestockings) from the journal

Artist: Honoré Daumier (French, 1808–1879)
Publisher: Aubert et Cie (Paris, founded 1829)

La mère est dans le feu de la composition, l'enfant est dans l'eau de la baignoire! (The mother is in the heat of composition, the baby is in the bathwater!), pl. 7 from the series Les Bas-Bleus (The Bluestockings) from the album Les Bas-Bleus

Artist: Honoré Daumier (French, 1808–1879)
Publisher: Aubert et Cie (Paris, founded 1829)

Related Content

  • View of Later European Art gallery

    Curatorial Areas

    The Gallery’s collection features art in all media from all regions of the globe and across time that now numbers nearly 300,000 objects.

  • A drawing of a large hill or a mountain. The landform is loosely sketched out, with areas of shading and others of gray and blue wash.

    Recent Acquisitions

    Browse works of art acquired by the Gallery from July 2023 through June 2024.

  • The tan-colored underside of a glazed blue object. A row of numbers appears handwritten on the surface, alongside several stickers. One of the stickers reads in part ORANGERIE DES TUILERIES.

    Provenance Research

    The Gallery actively researches the provenance of all works of art in its collection.

  • Decorative

    Using the Collection

    Learn how to access our rich collection of images, documents, and more.