Collection

Only show items with image
Open Access
Availability

Filter by:

Not on view (11)
By appointment, Duffy Study Room (11)
Classification

Filter by:

Prints (11)
Culture

Filter by:

Italian (11)
Department

Filter by:

Prints and Drawings (11)
Geography

Filter by:

Made in Italy (6)
Date

Filter between:

Apply

11 results

Veduta della gran Piazza e Basilica di S. Pietro (View of St. Peter's Square and Basilica), from Vedute di Roma

Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)

Veduta della Basilica, e Piazza di S. Pietro in Vaticano (View of St. Peter's Basilica and Piazza in the Vatican), from Vedute di Roma

Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)

Veduta del Tempio di Ercole nella Città di Cora, dieci miglia lontano da Velletri (The So-Called Temple of Hercules, At Cori), from Piranesi's Vedute di Roma

Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)

Veduta dell'Arco di Tito (View of the Arch of Titus), from Vedute di Roma

Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)

Veduta di Campo Vaccino (View of the Campo Vaccino), from Vedute di Roma

Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)

Vue des restes d'une grande enceinte de colonnes (View showing the remains of a large enclosure of columns), from Différentes vues ... de Pesto

Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)

Half-title page with etching after drawing of Saint Joseph, plate 2, from Raccolta di alcuni disegni del Barberi [sic] da Cento detto il Guercino (Collection of Some Drawings Engraved after Barbieri da Cento, called Guercino)

Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)
After: Guercino (Giovanni Francesco Barbieri) (Italian, Bologna, 1591–1666)

Virgin and Child with the Infant Saint John, plate 16, from Raccolta di alcuni disegni del Barberi [sic] da Cento detto il Guercino (Collection of Some Drawings Engraved after Barbieri da Cento, called Guercino)

Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)
After: Guercino (Giovanni Francesco Barbieri) (Italian, Bologna, 1591–1666)

An Old Man Leaning Against a Stone Wall, plate 22, from Raccolta di alcuni disegni del Barberi [sic] da Cento detto il Guercino (Collection of Some Drawings Engraved after Barbieri da Cento, called Guercino)

Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)
After: Guercino (Giovanni Francesco Barbieri) (Italian, Bologna, 1591–1666)

Sig.re Nicola Zabbaglia, Ingegnere della Reverenda Fabbrica di S. Pietro (Signore Nicola Zabbaglia, Engineer of the Holy Fabric of Saint Peter’s), plate 23, from Raccolta di alcuni disegni del Barberi [sic] da Cento detto il Guercino (Collection of Some Drawings Engraved after Barbieri da Cento, called Guercino)

Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)
After: Pier Leone Ghezzi (Italian, 1674–1755)

Nuova pianta di Roma (New Plan of Rome), after Giovanni Battista Nolli (Italian, 1701–1756)

Engraver: Carlo Nolli (Italian, 1710–1770)
Etcher: Giovanni Battista Piranesi (Italian, 1720–1778)
After: Giovanni Battista Nolli (Italian, 1701–1756)

Related Content

  • View of Later European Art gallery

    Curatorial Areas

    The Gallery’s collection features art in all media from all regions of the globe and across time that now numbers over 300,000 objects.

  • A drawing of a large hill or a mountain. The landform is loosely sketched out, with areas of shading and others of gray and blue wash.

    Recent Acquisitions

    Browse works of art acquired by the Gallery from July 2023 through June 2024.

  • The tan-colored underside of a glazed blue object. A row of numbers appears handwritten on the surface, alongside several stickers. One of the stickers reads in part ORANGERIE DES TUILERIES.

    Provenance Research

    The Gallery actively researches the provenance of all works of art in its collection.

  • Decorative

    Using the Collection

    Learn how to access our rich collection of images, documents, and more.