Collection

Only show items with image
Open Access
Availability

Filter by:

On view (42)
Not on view (2953)
By appointment, Duffy Study Room (1997)
By appointment, Wurtele Study Center (19)
On view, 2nd floor, American Art before 1900 (1)
On view, 4th floor, Special Exhibitions (41)
Classification

Filter by:

Books (8)
Drawings (2391)
Paintings (584)
Prints (12)
Culture

Filter by:

American (2994)
Department

Filter by:

American Paintings and Sculpture (581)
Prints and Drawings (2414)
Geography

Filter by:

Depicted Aigues-Mortes, France, Made in London, England (5)
Found in Harrisburg, Pennsylvania, Made in London, England (1)
Made in London, England (398)
Made in New York City, New York, United States (1)
Made in United States (2414)
Possibly made in London, England (21)
Probably made in England (1)
Probably made in London, England (152)
Date

Filter between:

Apply

2,995 results

Rebecca and Rowena, illustration for Ivanhoe

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Beatrice: "Kill Claudio," illustration for Act IV, Scene i, Much Ado About Nothing

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Benedick: "What, my dear Lady Disdain! are you yet living?", illustration for Act I, Scene i, Much Ado About Nothing

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Don Pedro: "Will you have me, lady?", illustration for Act II, Scene i, Much Ado About Nothing

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Don John: "Only to despite them, I will endeavor anything," illustration for Act II, Scene ii, Much Ado About Nothing

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Balthazar sings: "Sigh no more, ladies, sigh no more; Men were deceivers ever," illustration for Act II, Scene iii, Much Ado About Nothing

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Beatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Ursula: "She's lim'd, I warrant you!; we have caught her, madam." Hero: "If it prove so, then loving goes by haps: Some Cupid kills with arrows, some with traps.", illustration for Act III, Scene i, Much Ado About Nothing

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Dogberry: "Dost thou not suspect my place? Dost thou not suspect my years? -O that he were here to write me down an ass!", illustration for Act IV, Scene ii, Much Ado About Nothing

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Claudio (reads from a scroll): "Done to death by slanderous tongues. Was the Hero that here lies," illustration for Act V, Scene iii, Much Ado About Nothing

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Oliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Rosalind: "He calls us back!: My pride fell with my fortunes," illustration for Act I, Scene ii, As You Like It

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Duke Frederick: "Mistress, despatch you with your safest haste," illustration for Act I, Scene iii, As You Like It

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Orlando and Adam, illustration for Act II, Scene iv, As You Like It

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

"In the forest of Arden," illustration for Act II, Scene iv, As You Like It

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Jacques, illustration for Act II, Scene v, As You Like It

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Jaques: "'It is ten o'clock: Thus we may see,' quoth he, 'how the world wags.'", illustration for Act II, Scene vii, As You Like It

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Rosalind: "Give me your hand, Orlando," illustration for Act IV, Scene i, As You Like It

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Audrey, illustration for Act V, Scene i, As You Like It

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Touchstone: "You do love this maid?", illustration for Act V, Scene i, As You Like It

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Antipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Dromio of Ephesus: "What mean you, sir?", illustration for Act I, Scene ii, Comedy of Errors

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Dromio of Ephesus: "Why, mistress, sure my master is horn-mad," illustration for Act II, Scene i, Comedy of Errors

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Adriana: "Ay, ay, Antipholus, look strange and frown," illustration for Act II, Scene ii, Comedy of Errors

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Related Content

  • View of Later European Art gallery

    Curatorial Areas

    The Gallery’s collection features art in all media from all regions of the globe and across time that now numbers over 300,000 objects.

  • A watercolor of a man in a top hat, seen from the shoulders up. He has a softly curled mustache and a beard that appears to lengthen at his chin. A wash of blue appears behind his head.

    Recent Acquisitions

    Browse works of art acquired by the Gallery from July 2022 through June 2023.

  • The tan-colored underside of a glazed blue object. A row of numbers appears handwritten on the surface, alongside several stickers. One of the stickers reads in part ORANGERIE DES TUILERIES.

    Provenance Research

    The Gallery actively researches the provenance of all works of art in its collection.

  • Decorative

    Using the Collection

    Learn how to access our rich collection of images, documents, and more.