Collection

Only show items with image
Open Access
Availability

Filter by:

On view (5)
Not on view (81)
By appointment, Wurtele Study Center (79)
On view, 1st floor, American Decorative Arts before 1900 (5)
Classification

Filter by:

Containers (83)
Sculpture (3)
Culture

Filter by:

British (86)
Department

Filter by:

American Decorative Arts (86)
Geography

Filter by:

(-) Made in Staffordshire, England (86)
Date

Filter between:

Apply

86 results

Your applied filters:

Made in Staffordshire, England

Fruit Basket (a.) and Plate (b.) with view of romantic ruins

Maker: Unknown

Plate

Manufacturer: probably James and Ralph Clews (British, active 1817–35)

Cup Plate with a View of "The Canal into the Hudson at Albany"

Maker: Unknown
Engraver: Source material by Rawdon, Clark and Company (American, 1823–1828)
After: drawing by James Eights (American, 1798–1882)

Cup Plate with view of New State House [Boston]

Manufacturer: John and William Ridgway (British, 1814–1830)

Cup Plate, Holiday Street Theatre, Baltimore

Maker: Unknown

Cup Plate with View of Woodlands, near Philadelphia

Manufacturer: Joseph Stubbs (British, 1790–1829)
After: William Russell Birch (British, 1755–1834)

Cup Plate, Staughton's Church Philadelphia

Manufacturer: Ralph Stevenson (British, active 1815–34)

Cup Plate

Manufacturer: Ralph Stevenson (British, active 1815–34)

Cup Plate with a View of Exchange, Charleston

Manufacturer: Ralph Stevenson (British, active 1815–34)
After: Painter of source material Joshua Shaw (British, c.1777 - 1860)
After: Engraver of source material William G. Mason (American, active 1822–1860)
After: Publisher of source material J. C. Kayser and Company (American, active 1823)

Cup Plate, “Landing of Gen. Lafayette at Castle Garden, New York, 16th August, 1824”

Maker: James and Ralph Clews (British, active 1817–35)
After: Source material drawn and engraved by Samuel Maverick (American, 1789–1845)

Cup Plate with View of "The Residence of the late Richard Jordan, New Jersey"

Maker: Joseph Heath & Co. (British, 1829–1842)
Engraver: F. Kearney- engraver of source material
Artist: William G. Mason- drew source material (American, active 1822–1860)

Cup Plate with View of Scudder's Amerian Museum

Manufacturer: Ralph Stevensonand Williams (British, active 1815–34)

Cup Plate

Maker: Rogers family

Abolitionist Cup Plate Commemorating Elijah Lovejoy

Maker: Unknown

Cup plate with a view of Mendenhall Ferry

Manufacturer: Joseph Stubbs (British, 1790–1829)
After: Source material drawn, engraved and published by William Russell Birch (British, 1755–1834)

Cup Plate

Manufacturer: Joseph Stubbs (British, 1790–1829)

Cup Plate

Maker: Unknown

Cup Plate, “Landing of Gen. Lafayette at Castle Garden, New York, 16th August, 1824”

Maker: James and Ralph Clews (British, active 1817–35)
After: Source material drawn and engraved by Samuel Maverick (American, 1789–1845)

Cup Plate with View of Three-Story Building with One-Story Wing

Maker: James and Ralph Clews (British, active 1817–35)

Cup Plate with View of Second Bank of the United States, Philadelphia (commonly known as "Custom House")

Manufacturer: John and William Ridgway (British, 1814–1830)
Engraver: William G. Mason- probable engraver of source material (American, active 1822–1860)

Cup Plate

Maker: James and Ralph Clews (British, active 1817–35)

Cup Plate

Maker: Job and John Jackson (British, active 1831–35)

Cup Plate

Manufacturer: Job and John Jackson (British, active 1831–35)

Cup Plate, "American Scenery"

Manufacturer: Job and John Jackson (British, active 1831–35)
After: engraving by Thomas Cole (American, born England, 1801–1848)
Engraver: Engraver of source material Fenner, Sears & Co. (British, active 1825–46)

Related Content

  • View of Later European Art gallery

    Curatorial Areas

    The Gallery’s collection features art in all media from all regions of the globe and across time that now numbers over 300,000 objects.

  • A black vessel with a wide mouth, slightly narrower neck, and a wide body, with a narrower foot. Two small handles protrude from the top of the body. Three-quarters of the body is covered with a processional scene, moving right, above a skinny banded design. The horses and figures of the procession are black, while the background is red. One of the figures, at center, wears a long white garment.

    Recent Acquisitions

    Browse works of art acquired by the Gallery from July 2021 through June 2022.

  • African Provenance Workshop co-sponsored by AAMD (Association of Art Museum Directors)

    Provenance Research

    The Gallery actively researches the provenance of all works of art in its collection.

  • Decorative

    Using the Collection

    Learn how to access our rich collection of images, documents, and more.