Mickalene Thomas’s Liz with Hoops

A painting of a Black woman tightly framed from the chest up. Her body faces us, but she turns her head and looks left with a serene expression. She wears large, golden hoop earrings, blue eyeshadow, and a colorful patterned top. Her Afro rises to the image’s top edge. The figure appears cut-out and presses against a collage-like background, with wood paneling at left and plants at right.

Mickalene Thomas, Liz with Hoops, 2023. Acrylic and rhinestones on canvas, mounted on panel. Yale University Art Gallery, Janet and Simeon Braguin Fund. © Mickalene Thomas / Artists Rights Society (ARS), New York

Keely Orgeman, the Seymour H. Knox, Jr., Curator of Modern and Contemporary Art, leads a discussion of Liz with Hoops (2023), the first painting by Mickalene Thomas, M.F.A. 2002, to enter the Yale University Art Gallery’s collection. This recently acquired work is a striking portrait of a professional model named Liz, posing against fragments of faux-wood paneling, a plant, and abstract patterns. Partially covered in sparkling rhinestones, Liz with Hoops captures the spirit of a collage in a painting and, in fact, is based on a collage that Thomas made after her own photograph of Liz from 2013. In addition to Thomas’s creative process—in this case, spanning a decade—the talk reflects on how the portrait relates to the themes of Black identity and domestic interiors addressed in the Gallery’s 2023–24 exhibition Mickalene Thomas / Portrait of an Unlikely Space.

Meet by the central column in the Gallery lobby. Space is limited.