Selections from the van Otterloo Collection

Rose-Marie and Eijk van Otterloo have spent the past two decades assembling what is now considered one of the world’s greatest private collections of 17th-century Dutch art. This season, the Gallery displays a selection of 24 works from the van Otterloo collection in the European art galleries, showcasing the Golden Age of Dutch art at its very highest level.

About the Collection

Hendrick Avercamp, Winter Landscape near a Village, ca. 1610–15. Oil on panel. Lent by the Rose-Marie and Eijk van Otterloo Collection

The 17th century was a period of rapid development in the arts of the Netherlands, when painters invented new genres and attained levels of finish and quality unrivaled by their European contemporaries. The Dutch masters are universally admired for their dramatic seascapes, scenes of everyday life invested with a moralizing edge, psychologically penetrating portraits, still lifes of breathtaking naturalism, and panoramically detailed landscapes and cityscapes that are as much studies of light and color as they are of a specific time or place.

On View

Jan Asselijn
Dutch, 1610/15–1652
River Landscape with the Fort Saint-Jean and the Château de Pierre-Scize in Lyon, ca. 1650
Oil on canvas
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Anne Charlotte Steland-Stief, Jan Asselijn nach 1610 bis 1652 (Amsterdam: Van Gendt, 1971), 71, 149, no. 156.

Anne Charlotte Steland-Stief, Die Zeichnungen des Jan Asselijn (Fridingen, Germany: Graf Klenau Verlags, 1989), 90, 111, 236, 238, no. 122, fig. 96.

Peter C. Sutton, The Golden Age of Dutch Landscape Painting, exh. cat. (Madrid: Foundation Thyssen-Bornemisza, 1994), 60–61, no. 1, ill.

Stijn Alsteens and Hans Buijs, Paysages de France: Dessinés par Lambert Doomer et les artistes hollandais et flamands des XVIe et XVIIe siècles (Paris: Foundation Custodia, 2008), 197–98, 210, no. 35, fig. h.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 56–59, no. 2, ill.

Photography © Museum of Fine Arts, Boston. All Rights Reserved.

Balthasar van der Ast
Dutch, 1593/94–1657
Still Life with Flowers, ca. 1630
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Hendrick Avercamp
Dutch, 1585–1634
Winter Landscape near a Village, ca. 1610–15
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Clara Johanna Welcker, Hendrick Avercamp 1585–1634, bijgenaamd “de Stomme van Campen”; Barent Avercamp 1612–1679, “Schilders tot Campen” (Zwolle, the Netherlands: De Erven J. J. Tijl, 1933), 216, no. S 156.

H. Terry-Engell Gallery, Fifteen Important Old Master Paintings: Season 1966–67 (London: H. Terry-Engell Gallery, 1966), no. 6, ill.

“Golden Jubilee Exhibition of the British Antique Dealers Association,” Apollo 87 (1968): S1–6, no. 2, pl. VII.

Clara Johanna Welcker, Hendrick Avercamp, 1585–1634 (Doornspijk, the Netherlands: Davaco, 1979), 212, 222, no. S 55.1, S 156, frontspiece and jacket, ill.

Albert Blankert, Frozen Silence: Hendrick Avercamp, 1584–1634, Barent Avercamp, 1612–1679; Paintings from Museums and Private Collections, exh. cat. (Amsterdam: K. and V. Waterman, 1982), 27, 30, 45, 89, no. 7, ill.

George S. Keyes, Esaias van der Velde, 1587–1630 (Doornspijk, the Netherlands: Davaco, 1984), 45.

Ariane van Suchtelen and Frederik J. Duparc, Holland Frozen in Time: The Dutch Winter Landscape in the Golden Age, exh. cat. (Zwolle, the Netherlands: Waanders Publishers, 2001), 82–85, no. 6, ill.

Pieter Roelofs, Hendrick Avercamp: Master of the Ice Scene, exh. cat. (Amsterdam: Nieuw Amsterdam, 2009), 47–48, 78, 176, ill.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 64–69, no. 4.

Nicolaes Berchem
Dutch, 1620–1683
Landscape with an Elegant Hunting Party on a Stag Hunt, 1655–70
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Gerard Hoet, Catalogus of Naamlyst van schilderyen, met derzelver pryzen zedert een langen reeks van jaaren zoo in Holland als op andere plaatzen in het openbaar verkogt. Benevens eenverzameling van lysten van verscheyden nog in wezen zynde cabinetten (The Hague: Pieter Gerard van Baalen, 1752), 1: 518.

C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts (Paris: Esslingen am Neckar, 1907–28), 9: no. 145.

John Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters (London: Smith and Son, 1829–42), 5: 48, no. 141.

Peter C. Sutton, The Golden Age of Dutch Landscape Painting, exh. cat. (Madrid: Foundation Thyssen-Bornemisza, 1994), 76–77, no. 7, ill.

Jan Brueghel the Elder
Flemish, 1568–1625
Village Scene with a Canal, 1609
Oil on copper
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Franz von Reber, Katalog der Gemäldesammlung der Königlichen Älteren Pinakothek (Munich: Verlag für Kunstwissenschaft, 1884–89), 142 (1885, 1886, 1891, 1893), 157 (1898, 1900, 1904), 149 (1908), 21 (1911), no. 690.

Alfred Von Würzbach, Niederländisches Künstler‑Lexikon: Auf Grund archivalischer Forschungen bearbeitet (Vienna: Halm und Goldmann, 1906–11), 1: 205.

Ernst Brochhagen, Katalog Bayerischen Staatsgemäldesammlungen, exh. cat. (Munich: Galerie Aschaffenburg, 1964), 27–28, no. 1897.

“Advertisement,” Burlington Magazine 113 (May 1971): 31.

Emmanuel Bénézit, Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs, et graveurs de tous les temps et de tous les pays (Paris: Librairie Gründ, 1976), 2: 168.

“Koetser Gallery Advertisement,” Weltkunst 7 (April 1, 1977): 611.

Georg van Gehren, “Jan Brueghel D. Ä,” Weltkunst 14 (July 15, 1979): 1760–61, ill.

Klaus Ertz, Jan Brueghel der Ältere, 1568–1625: Die Gemälde mit kritischem Oeuvrekatalog (Cologne, Germany: DuMont, 1979), 58, 62, 79–80, 217, 445, 486, no. 196, figs. 31, 55, 56, 266.

Brod Gallery, London, Jan Brueghel the Elder, exh. cat. (London: Brod Gallery, 1979), 80–81, no. 21, ill.

Klaus Ertz and Christa Nitze-Ertz, Pieter Breughel der Jüngere, Jan Brueghel der Ältere: Flämische Malerei um 1600: Tradition und Fortschritt, exh. cat. (Vienna: Kunsthistorisches Museum, 1997), 210–12, no. 55, ill.

Klaus Ertz and Christa Nitze-Ertz, Breughel‑Brueghel, Pieter Breughel de Jonge—Jan Brueghel de Oudere: Een Vlaamse schildersfamilie rond 1600, exh. cat. (Vienna: Kunsthistorisches Museum, 1998), 170–73, no. 52, ill.

Gerrit Wegener, Die Münchener Sammlungsgeschichte unter besonderer Berücksichtigung der Werke französischer Meister des 17. und 18. Jahrhunderts (Berlin: Technische Universität Berlin, 2006).

Klaus Ertz and Christa Nitze‑Ertz, Jan Brueghel der Ältere, 1568–1625: Kritscher Katalog der Gemälde (Lingen, Germany: Luca, 2008–10), 1: 372–74, no. 181, ill.

Reinhold Baumstark, Oliver Kase, and Christian Quaeitsch, Kurfürst Johann Wilhelms Bilder, exh. cat. (Munich: Hirmer, 2009), 1: 238, 256, 272–74, no. 10, fig. 25; 2: 184, no. 54, ill.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 106–11, no. 14.

Pieter Claesz.
Dutch, 1596/97–1660
Breakfast Still Life with a Ham and a Basket of Cheese, ca. 1627
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Nicolaas R. A. Vroom, De Schilders van het Monochrome Banketje (Amsterdam: Kosmos, 1945), 28–29, 98, no. 26, fig. 16.

Nicolaas R. A. Vroom, A Modest Message as Intimated by the Painters of the “Monochrome Banketje” (Schiedam, the Netherlands: Interbrook International, 1980), 1: 34, fig. 36; 2: no. 47.

Martina Brunner-Bulst, Pieter Claesz.: Der Hauptmeister des Haarlemmer Stillebens im 17. Jahrhundert (Lingen, Germany: Luca, 2004), 31, 158–60, 166, 215, ill.

Pieter Biesboer, Pieter Claesz.: Meester van het Stilleven in de Gouden Eeuw, exh. cat. (Haarlem, the Netherlands: Frans Hals Museum, 2004), 117, no. 10.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 118–21, no. 16.

Gerrit Dou
Dutch, 1613–1675
Self-Portrait, ca. 1665
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts (Paris: Esslingen am Neckar, 1907–27), 1: 368, 435, no. 75, 271.

Wilhelm Martin, Gérard Dou: Sa vie et son oeuvre, Étude sur la peinture hollandaise et les marchands au dix-septième siècle (Paris: Jouve et. Cie., 1911), 171, no. 52.

Wilhelm Martin, Gerard Dou: Des Meisters Gemälde in 247 Abbildungen (Stuttgart, Germany: Deutsche Verlags-Anstalt, 1913), 24: 19, ill.

Ronni Baer, Gerrit Dou, 1613–1675: Master Painter in the Age of Rembrandt, exh. cat. (New Haven, Conn.: Yale University Press, 2000), 122–23, no. 29, ill.

Ronni Baer, Poetry of Everyday Life: Dutch Painting in Boston, exh. cat. (Boston: Museum of Fine Arts, Boston, 2002), 76.

Eddy De Jongh, Ateliergeheimen: Over de werkplaats van de Nederlandse kunstenaar vanaf 1200 tot heden (Lochem, the Netherlands: Kunst en Schrijven, 2006), 168–69, ill.

Walter Liedtke, Vermeer: The Complete Paintings (Ghent, Belgium: Ludion Press, 2008), 144, fig. 26a.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 130–35, no. 20.

Willem Cornelisz. Duyster
Dutch, ca. 1598–1635
Soldiers Dividing Booty in a Barn, ca. 1630
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Anthony van Dyck
Flemish, 1599–1641
Self-Portrait as Icarus with Daedalus, ca. 1618
Oil on canvas
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

J. Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters … (London, 1831), 3: 103-4, no. 365.

E. Larsen, The Paintings of Anthony Van Dyck (Freren, Germany: Luca Verlag, 1988), 2: 293.

Carl Depauw and Ger Luijten, Anton van Dyck en de prentkunst, exh. cat. (Antwerp, Belgium: Antwerpen Open, 1999), 364, ill.

Jan van Goyen
Dutch, 1596–1656
Frozen River with Skaters, 1637
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Paul Eudel, L’Hôtel Drouot el la curiosité en 1885–86 (Paris: G. Charpentier, 1887), 435–36.

C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts (Paris: Esslingen am Neckar, 1907–28), 8: 298, no. 1179.

Société des Amis de Carnavalet, Chefs d’oeuvre des collections parisiennes, exh. cat. (Paris: Musée Carnavalet, 1950), 19, no. 24.

Hans Ulrich Beck, Jan van Goyen 1596–1656: Ein Oeuvreverzeichnis (Amsterdam: Davaco, 1972–91), 2: 48–50, no. 94, ill.; 3: 148, no. 94, (as dated 1637), ill.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 146–49, no. 24, ill.

Frans Hals
Dutch, ca. 1582/83–1666
Portrait of a Preacher, ca. 1660
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts (Paris: Esslingen am Neckar, 1907–28), 3: no. 273.

Seymour Slive and Henricus Petrus Baard, Frans Hals, Exhibition on the Occasion of the Centenary of the Municipal Museum at Haarlem, exh. cat. (Haarlem, the Netherlands: Frans Hals Museum, 1962), no. 76.

Seymour Slive, Frans Hals (London: Phaidon, 1970–74), 1: 198, no. 209.; 3: 107, no. 209.

Claus Grimm, Frans Hals, Das Gesamtwerk (Stuttgart, Germany: Belser, 1989), 283, no. 139.

Seymour Slive, Frans Hals, exh. cat. (Munich: Prestel‑Verlag, 1989), 346–47, no. 78.

Ben P. J. Broos, Quentin Buvelot, and Frederik J. Duparc, Uit de schatkamer van de verzamelaar: Hollandse Zeventiende‑eeuwse meesters vit Netherlands particular benezit, exh. cat. (The Hague: Mauritshuis, 1995), 36–37, no. 14.

Ben P. J. Broos and Ariane van Suchtelen, Portraits in the Mauritshuis, ed. Quentin Buvelot (The Hague: Royal Picture Gallery, 2004), 118, no. 25.

Quentin Buvelot and Rudolph Ekkart, Dutch Portraits: The Age of Rembrandt and Frans Hals, exh. cat. (Zwolle, the Netherlands: Waanders Publishers, 2007), 134–35, 243–44, no. 26, ill.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose‑Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 160–63, no. 28.

Karel du Jardin
Dutch, 1626–1678
Horseman and His Horse at a River, 1660
Oil on canvas
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

British Institution, Catalogue of Pictures of the Italian, Spanish, Flemish, and Dutch Schools, exh. cat. (London: William Nicol, 1822), 17, no. 94.

John Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters (London: Smith and Son, 1829–42), 240, no. 25.

British Institution, Catalogue of Pictures by Italian, Spanish, Flemish, Dutch, and French Masters, exh. cat. (London: William Nicol, 1837), 7, no. 4.

Gustav Friedrich Waagen, Treasures of Art in Great Britain (London: John Murray, 1854), 2:254.

C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts (Paris: Esslingen am Neckar, 1907–28), 9: 356, no. 228.

Jennifer M. Kilian, The Paintings of Karel du Jardin (1626–1678): Catalogue Raisonné (Philadelphia: John Benjamins, 2005), 166–67, no. 61, (as whereabouts unknown), fig. 50.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 136–39, no. 21, ill.

Jan Lievens
Dutch, 1607–1674
Young Girl in Profile, ca. 1631–32
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

J. Six, Bevestigde overlevering (The Hague: Netherlands Institute for Art History, 1919), 37: 86.

Hans Schneider, Jan Lievens, Sein Leben und Seine Werke (Haarlem, the Netherlands: Bohn, 1932), 142, no. 216.

The Matthiesen Gallery, Rembrandt’s Influence in the 17th Century, exh. cat. (London: Matthiesen Gallery, 1953), no. 47.

Eduard Plietzsch, Holländische und Flämische Maler des 17. Jahrhunderts (Leipzig, Germany: E. A. Seemann, 1960), 177.

Hans Schneider and Rudolph Ekkart, Jan Lievens, Sein Leben und Seine Werke, 2nd ed. (Amsterdam: Isräel, 1973), 142, 332, no. 216.

Werner Sumowski, Gemälde der Rembrandt Schüler(Landau, Germany: Edition PVA, 1983), 3: 1805, no. 1275.

Jacques Foucart, Musée du Louvre: Nouvelles acquisitions du Département des Peintures, 1991–95 (Paris: Editions de la Réunion des Musées Nationaux, 1996), 78, ill.

Arthur K. Wheelock, Jr., and Stephanie S. Dickey, Jan Lievens: A Dutch Master Rediscovered, exh. cat. (New Haven, Conn.: Yale University Press, 2008), 136–37, 291, no. 28, ill.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 192–95, no. 35, ill.

Aert van der Neer
Dutch, 1603/4–1677
Estuary at Twilight, ca. 1655–60
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Adriaen van Ostade
Dutch, 1610–1685
Peasant Family in a Cottage Interior, 1661
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Gerard Hoet, Catalogus of Naamlyst van schilderyen, met derzelver pryzen zedert een langen reeks van jaaren zoo in Holland als op andere plaatzen in het openbaar verkogt. Benevens eenverzameling van lysten van verscheyden nog in wezen zynde cabinetten (The Hague: Pieter Gerard van Baalen, 1752), 2: 177 and probably 401.

Jean Baptiste Descamps, La vie des peintres flamands, allemands, et hollandois, avec des portraits gravés en taille douche, une indication de leurs principaux ouvrages, et des réflexions sur leurs différentes manières (Paris: C. A. Jombert, 1753–54), 179.

British Institution for Promoting the Fine Arts, Exhibition of Pictures by Rubens, Rembrandt, Van Dyke, and Other Artists of the Flemish and Dutch Schools, exh. cat. (London: W. Bulmer, 1815), 18, no. 88.

British Institution for Promoting the Fine Arts, An Account of All the Pictures Exhibited in the Rooms of the British Institution from 1813 to 1823, exh. cat. (London: Priestly and Weale, 1824), 186–87, no. 4.

John Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters (London: Smith and Son, 1829–42), 1: 136, no. 104.

Gustav Friedrich Waagen, Treasures of Art in Great Britain (London: J. Murray, 1854), 2: 200.

John Peck, Art Treasures of the United Kingdom Collected at Manchester in 1857, exh. cat. (London: Bradbury and Evans, 1857), 72, no. 1047.

Charles Blanc, Le trésor de la curiosité (Paris: J. Renouard, 1858), 194, 379.

Theophile E. J. Thoré, Trésors d’art en Angleterre (Paris: Imprimerie Générale de Ch. Lahure, 1860), 314.

Royal Academy of Arts, Exhibition of the Works of the Old Masters and by Deceased Masters of the British School, Winter Exhibition, exh. cat. (London: William Clowes and Sons, 1887), 24, no. 102.

Burlington Fine Arts Club, Exhibition of Pictures by Dutch Masters of the Seventeenth Century, exh. cat. (London: Burlington Fine Arts Club, 1900), 30, no. 35.

C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts (Paris: Esslingen am Neckar, 1907–28), 3: 283, no. 463.

Algernon Graves, A Century of Loan Exhibitions 1813–1912 (London: Algernon Graves, 1913–15), 2: 887, 891–92.

Algernon Graves, Art Sales from Early in the Eighteenth Century to Early in the Twentieth Century (London: Algernon Graves, 1921), 2: 303.

Robert Benson, The Holford Collection, Dorchester House: With 200 Illustrations from the Twelfth to the Nineteenth Century (Oxford: Oxford University Press, 1927), 2: 33–34, no. 159, pl. 144.

Ann Jenson Adams and Egbert Haverkamp Begemann, Dutch and Flemish Paintings from New York Private Collections, exh. cat. (New York: National Academy of Design, 1988), 83, 99, no. 34, ill.

Christopher Wright, The Cabinet Picture: Dutch and Flemish Masters of the Seventeenth Century, exh. cat. (London: Richard Green Gallery, 1999), 26–27, 196–97, ill.

Wayne Franits, Dutch Seventeenth Century Genre Painting: Its Stylistic and Thematic Evolution (New Haven, Conn.: Yale University Press, 2004), 135–37, fig. 121.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 226–29, no. 43.

Adam Pijnacker
Dutch, ca. 1620–1673
Mediterranean Harbor, ca. 1650
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 235–37, no. 45.

Jan Porcellis
Dutch, before 1584–1632
Seascape with a Rainbow, ca. 1631
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 238–41, no. 46.

Paulus Potter
Dutch, 1625–1654
Spring Landscape with Donkeys and Goats (“The Rabbit-Warren”), 1647
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Gerard Hoet, Catalogus of Naamlyst van schilderyen, met derzelver pryzen zedert een langen reeks van jaaren zoo in Holland als op andere plaatzen in het openbaar verkogt. Benevens eenverzameling van lysten van verscheyden nog in wezen zynde cabinetten (The Hague: Pieter Gerard van Baalen, 1752), 1: 162, no. 31.

John Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters (London: Smith and Son, 1829–42), 5: 145, no. 65; 9: 25, 627.

British Institution for Promoting the Fine Arts, Catalogue of Pictures by Italian, Spanish, Flemish, Dutch, French, and English Masters, exh. cat. (London: William Nicol, 1829), 14, no. 17.

British Institution for Promoting the Fine Arts, Catalogue of Pictures by Italian, Spanish, Flemish, Dutch, and French Masters, exh. cat. (London: William Clowes and Sons, 1836), 10, no. 55.

Gustav Friedrich Waagen, Treasures of Art in Great Britain (London: J. Murray, 1854), 2: 201.

John Peck, Art Treasures of the United Kingdom Collected at Manchester in 1857, exh. cat. (London: Bradbury and Evans, 1857), 70, no. 1002.

Charles Blanc, Le trésor de la curiosité (Paris: J. Renouard, 1858), 161, 379.

Theophile E. J. Thoré, Trésors d’art en Angleterre (Paris: Imprimerie Générale de Ch. Lahure, 1860), 284.

Tobias van Westrheene, Paulus Potter, sa vie et ses oeuvres (The Hague: M. Nijhoff, 1867), 83, 157–58, no. 38.

Royal Academy of Arts, Exhibition of the Works of the Old Masters and by Deceased Masters of the British School, Winter Exhibition, exh. cat. (London: William Clowes and Sons, 1887), 22, no. 91.

Burlington Fine Arts Club, Exhibition of Pictures by Dutch Masters of the Seventeenth Century, exh. cat. (London: Burlington Fine Arts Club, 1900), 19, no. 1.

C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts (Paris: Esslingen am Neckar, 1907–28), 4: no. 136 and probably 136a.

Algernon Graves, A Century of Loan Exhibitions 1813–1912 (London: Algernon Graves, 1913–15), 2: 946–48.

Robert Benson, The Holford Collection, Dorchester House: With 200 Illustrations from the Twelfth to the Nineteenth Century (Oxford: Oxford University Press, 1927), 2: 27, no. 145, pl. CXXX.

Tancred Borenius, “London,” Pantheon 1 (January–June 1928): 223–24, ill.

Dirk Hannema, Meesterwerken uit vier eeuwen, exh. cat. (Rotterdam, the Netherlands: Museum Boymans Van Beunigen, 1938), 30, no. 123, fig. 109.

Joshua Bruyn, Le paysage hollandais au XVII siècle, exh. cat. (Paris: Musée de l’Orangerie, 1950), 35, no. 60.

Horst Gerson, “Het tijdperk van Rembrandt en Vermeer,” Zes eeuwen Nederlandse schilderkunst 2 (1952): 49, fig. 141.

Museum Boymans Van Beunigen, Kunstschatten uit Nederlandse verzamelingen, exh. cat. (Rotterdam, the Netherlands: Museum Boymans Van Beunigen, 1955), 48, 95, no. 97, fig. 95.

Institut Néerlandais, Bestiaire hollandais, exh. cat. (Paris: Institut Néerlandais, 1960), 29, no. 148.

Lauren Johannes Bol, Nederlandse landschappen uit de zeventiende eeuw, exh. cat. (Dordrecht, the Netherlands: Dordrechts Museum, 1963), 32, no. 99, fig. 95.

Amy Walsh, Edwin Buijsen, and Ben P. J. Broos, Paulus Potter: Paintings, Drawings, and Etchings, exh. cat. (Zwolle, the Netherlands: Waanders Publishers, 1994), 84–86, no. 10, ill.

Peter Paul Rubens

Flemish, 1577–1640
Crucifixion, 1618–20
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

John Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters (London: Smith and Son, 1829–1842), 2: 174, 200, no. 611, 724.

John Smith, Supplement to a Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters, In Which Is Included a Short Biographical Notice of the Artists … (London: Smith and Son, 1842), 9: 346, no. 391.

Fred H. Olsen, “Etmallet gallerie af Pannini: Kardinal Silvio Valenti Gonzagas Samling,” Kunstmuseets årsskrift 38 (1951): 95.

Didier Bodart, Peter Paul Rubens, exh. cat. (Tokyo: Art Life, 1985), 167, no. 311c.

Salomon van Ruysdael
Dutch, 1600/1603–1670
River Landscape with a Sailboat, ca. 1655
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Ralph Grosse, Die holländische Landschaftskunst, 1600–1650 (Stuttgart, Germany: Deutsche Verlags-Anstalt, 1925), 63, 127, pl. 61.

Akademie der Künste, Gemälde alter Meister aus Berliner Besitz, exh. cat. (Berlin: Akademie der Künste, 1925), 53, no. 340.

Wolfgang Stechow, Salomon van Ruysdael: Eine Einführung in seine Kunst: Mit kritischem Katalog der Gemälde (Berlin: Gebr. Mann, 1938), 101, no. 290.

Wolfgang Stechow, Salomon van Ruysdael: Eine Einführung in seine Kunst: Mit kritischen Katalog der Gemälde (Berlin: Gebr. Mann, 1975), 2: 112, no. 290.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 266–71, no. 54.

David Teniers the Younger
Flemish, 1610–1690
The Temptation of Saint Anthony, ca. 1650
Oil on copper
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

John Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters (London: Smith and Son, 1829–42), 3: 392, no. 500.

Emile Louis Galichon, “La Galerie de San Donato,” Gazette des beaux arts 24 (April 1868): 406–7.

Charles T. Yerkes, Catalogue from the Collection of Charles T. Yerkes (Chicago: Charles T. Yerkes, 1893), no. 62, ill.

Charles T. Yerkes, Exhibition of Paintings and Sculpture in the Collection of Charles T. Yerkes Esq., New York, exh. cat. (New York: Charles T. Yerkes, 1904), 1: no. 98, ill.

Francis Haskell and Stephen Duffy, Anatole Demidoff: Prince of San Donato: Collectors of the Wallace Collection (London: Trustees of the Wallace Collection, 1994), 1: 56.

Carol Vogel, “Inside Art,” The New York Times, January 5, 1996.

Michael K. Komanecky, Copper as Canvas: Two Centuries of Masterpiece Paintings on Copper, 1575–1775, exh. cat. (Oxford: Oxford University Press, 1998), 293–97, no. 58.

Frederik J. Duparc et al., Golden: Dutch and Flemish Masterworks from the Rose-Marie and Eijk van Otterloo Collection, exh. cat. (Salem, Mass.: Peabody Essex Museum, 2011), 288–93, no. 59, ill.

Photography © Museum of Fine Arts, Boston. All Rights Reserved.

Adriaen van de Venne
Dutch, 1589–1662
A Cavalier at His Toilet, 1631
Oil on panel
Lent by the Rose-Marie and Eijk van Otterloo Collection

Philips Wouwerman
Dutch, 1619–1668
The Stag Hunt, 1659–60
Oil on copper
Lent by the Rose-Marie and Eijk van Otterloo Collection

Joachim Anthonisz Wtewael
Dutch, 1566–1638
The Apulian Shepherd, 1600–1605
Oil on copper
Lent by the Rose-Marie and Eijk van Otterloo Collection

Bibliography

Anne W. Lowenthal, Joachim Wtewael and Dutch Mannerism (Doornspijk, The Netherlands: Davaco Publishers, 1986), 105, no. A-27, pl. 39 (as location unknown).

Anne W. Lowenthal, The Paintings of Joachim Anthonisz. Wtewael (1566–1638), diss. (Ann Arbor, Michigan, 1975), 1 or 2: 357, 542, no. B-2, ill.

Dennis P. Wellelr, Small Treasures: Rembrandt, Vermeer, Hals, and Their Contemporaries, exh. cat. (Raleigh North Carolina: North Carolina Museum of Art, 2014), 237–39, no. 47, ill.

Arthur K. Wheelock, Jr., et. al. Pleasure and Piety: The Art of Joachim Wtewael (1566–1638), exh. cat. (Washington, D.C.: National Gallery of Art, 2015), 95–97, no. 14, ill.

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