| |
 |
 |
Félix Vallotton
Paper, 328 pp, 307 black-and-white and color illus.
Catalogue for the exhibition, organized by Sash M. Newman, presented at the Yale University Art Gallery (October 24, 1991–January 5, 1992); Museum of Fine Arts, Houston (January 31–March 29, 1992); Indianapolis Museum of Art (April 25–June 21, 1992); Van Gogh Museum, Amsterdam (August 27–November 1, 1992); and Musée cantonal des Beaux-Arts, Lausanne (November 21, 1992–January 31, 1993), with essays by Newman, Richard S. Field, John Klein, Rudolf Koella, Deborah L. Goodman, Marina Ducrey, and Margrit Hahnloser-Ingold.
The Swiss artist Félix Valloton (1865–1925) was an accomplished Nabis painter, along with his close companions Pierre Bonnard and Edouard Vuillard. He was also a novelist and renowned graphic artist. This lavish catalogue explores his interiors, portraits, and nudes, as well as his response to World War I and his relationship to the critics. A detailed chronology is provided along with a bibliography, an exhibition history, and selected correspondence.
Item# 101
Price $40; Members $36
ISBN 0-89467-057-3 |
 |
Vasari’s Florence: Artists and Literati at the Medicean Court
Paper, 64 pp., 25 black-and-white illus.
Catalogue for the exhibition, organized by Maia W. Gahtan and Philip J. Jacks, presented at the Yale University Art Gallery (April 14–May 15, 1994), with essays by Gahtan and Jacks.
This catalogue for an exhibition accompanying an international symposium on Giorgio Vasari offers a penetrating look at the life, art, and writings of the Renaissance figure best known for his biographical sketches on Leonardo, Michelangelo, and more. Previously unpublished documents flesh out Vasari’s own biography, underscoring his achievement as a painter and architect and bringing his world to life.
Item# 1043
Price $5; Members $4.50
ISBN 0-89467-068-9
|
