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Francis P. Garvan: Collector
Paper, 76 pp., 23 black-and-white illus.
Catalogue for the exhibition presented at the Yale University Art Gallery (May 8–September 28, 1980), published as a memorial to Mabel Brady Garvan, commemorating the fiftieth anniversary of the Gift of the Mabel Brady Garvan Collections to Yale University, with essays by Gerald W. R. Ward, Patricia E. Kane, and Helen A. Cooper.

In 1930, Francis Garvan, Yale 1897, gave his alma mater a large and important collection of early American Art, including such masterpieces as a pewter flagon made by Johann Christoph Heyne in 1771, John Rogers’s sculpture of Abraham Lincoln, Council of War (1868), and Robert Henri’s painting West 57th Street (1902). This slender volume assesses Garvan’s tastes and collecting methods, and two illuminating letters written by Garvan about the donation are reproduced as appendices.

Out of Print

Emmet Gowin: Changing the Earth
Hardcover, 162 pp., 92 full-page illus.
ISBN 0-30009-361-6
Catalogue for the exhibition, organized by Jock Reynolds, presented at the Yale University Art Gallery (April 23–July 28, 2002); Corcoran Gallery of Art, Washington, D.C. (October 26, 2002–January 6, 2003); Utah Museum of Fine Arts (April 18–July 13, 2003); Yellowstone Art Museum, Billings, Montana (August 23–November 30, 2003); James A. Michener Art Museum, Doylestown, Pennsylvania (January 10–April 4, 2004); El Paso Museum of Art (May 2–July 18, 2004); Henry Art Gallery, University of Washington, Seattle (August 7–November 7, 2004), with an essay and interview by Terry Tempest Williams and Philip Brookman.

The breathtaking large-format aerial photographs in this catalogue find stark poetry in ways that such factors as traffic, mining, and irrigation have altered the natural landscape of the United States, Israel, and the Czech Republic. Particularly stirring are patterns left in the Nevada desert by missile tests. In the words of environmentalist Williams, “Emmet Gowin has captured on film the state of our creation and, conversely, the beauty of our losses.”

Winner of the 2002 Golden Light Award for Book of the Year, from the Maine Photographic Workshop.

Named one of the Best Photography Books of 2002 by Photo-eye.

Won First Place in the 2003 New England Museum Association Publication Design Competition.


Item# 13904
Price $45; Members $36
Sale $40; Members $32

Grand Scale: Monumental Prints in the Age of Dürer and Titian
Hardcover, 176 pp., 45 color and 62 black-and-white illus., 2 gatefolds
ISBN 978-0-30013-879-5
ISBN-10 0-30013-879-2
Catalogue for the exhibition, organized by the Davis Museum and Cultural Center, Wellesley College, presented at the Yale University Art Gallery (September 9–November 30, 2008). Copublished by Yale University Press and the Davis Museum and Cultural Center, Wellesley College. Edited by Larry Silver and Elizabeth Wyckoff, with essays by Lilian Armstrong, Suzanne Boorsch, Stephen Goddard, and Alison Stewart

Grand Scale: Monumental Prints in the Age of Dürer and Titian presents rare surviving examples of mural-size prints—a Renaissance art form nearly lost from historical record. This handsome book showcases approximately fifty oversize prints from the German, Italian, and Netherlandish schools, and documents the relationship of monumental prints to the history of prints in general, and also to mapmaking, painting, and book illustration.

Item# 160
Price $50; Members $40

“A Great Panorama”: Celebrating Twenty-Five Years of American Arts at Yale
Paper, 62 pp., color and black-and-white illus.

Published in 1998 on the occasion of the anniversary of  the Friends of American Arts at Yale, this book offers a colorful tour of the Gallery’s commitment to American arts since the 1973 creation of the Mabel Brady Garvan Galleries of American Art. The extraordinary collection of decorative arts is given particular attention, and other highlights of the period include such exhibitions as the ambitious and hotly debated American Prints: 1900–1950, the popular Winslow Homer Watercolors, and the intellectually provocative Mel Bochner: Thought Made Visible, 1966–1973.

Item# 10843 
Price $3.50; Members $2.80

Greek Vases

Greek Vases: A Guide to the Yale Collection
Paper, 44 pp., 20 black-and-white and color illus.
ISBN 0-89467-048-4
Susan B. Matheson

Published in 1988, this guide to Yale’s rich collection of Greek vases spans the Bronze Age through the fourth century B.C. Line drawings, a glossary, and a list of suggested reading help to make it useful as an introduction to Greek pottery and a study of ancient Greek life as well as a valuable title in the library of a classics scholar.

Item# 1035
Price $6; Members $4.80

Philip Guston: A New Alphabet, The Late Transition
Paper, 71 pp., 48 color plates
ISBN 0-89467-092-1
Catalogue for the exhibition, organized by Joanna Weber in collaboration with the Harvard University Art Museums, presented at the Yale University Art Gallery (April 25–July 30, 2000) and the Fogg Art Museum, Harvard University (September 23–December 31, 2000), with essays by Weber and Harry Cooper and an afterword by Laura Greengold.

This is an invaluable contribution to the growing body of scholarship on the influential American painter Philip Guston (1913–1980), focusing on the years after 1960, when he shifted away from abstraction and developed an original figurative vocabulary. The reproductions of rarely exhibited paintings are complemented by thought-provoking essays that explore these latter works in light of the artist’s interest in the Danish philosopher Søren Kierkegaard and against with the paradoxical difficulty of recognizing the objects represented in these supposedly straightforward paintings. An innovative diagram illustrates the relative scale of the paintings.

Item# 11166
Price $21.95; Members $17.56