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The collection of early European art at Yale comprises paintings, textiles, and a small group of sculpture and decorative arts, spanning the ninth to the mid-nineteenth centuries, with a base of over 1,000 objects. The painting collection is panoramic in range, with particular strength in Italian art of the Renaissance. Featuring one of the largest and finest groups of thirteenth- and fourteenth-century Tuscan paintings in the world, it also contains a significant number of Sienese fifteenth-century paintings and such acknowledged masterworks as Gentile da Fabriano’s Virgin and Child (ca. 1424–25), Antonio Pollaiuolo’s Hercules and Deianira (ca. 1470), and Pontormo’s Madonna del Libro (ca. 1545–46). The early Italian holdings are complemented by Northern Renaissance art, including Hieronymus Bosch’s Allegory of Intemperance (ca. 1495–1500) and Hans Holbein’s Hanseatic Merchant (1538), along with Dutch seventeenth-century landscape and portraiture, highlighted by Frans Hals's De Heer Bodolphe and Mevrouw Bodolphe, and a select group of paintings and oil sketches by Peter Paul Rubens and Anthony van Dyck. Seventeenth- and eighteenth-century French and eighteenth-century Italian art are also well represented. The nineteenth-century French collections include important paintings by Eugène Delacroix, Jean-Baptiste-Camille Corot, Jean-François Millet, and Jean-Léon Gérôme.
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Laurence B. Kanter laurence.kanter@yale.edu
Laurence B. Kanter is the Lionel Goldfrank III Curator of Early European Art at the Gallery and formerly Curator-in-Charge of the Robert Lehman Collection at the Metropolitan Museum of Art. He received his Ph.D. from the Institute of Fine Arts at New York University in 1989. He is the author of the catalogue Italian Paintings in the Museum of Fine Arts, Boston (1994) and coauthor of Luca Signorelli (2001) and numerous exhibition catalogues, including Painting in Renaissance Siena, 1420–1500 (1988), Italian Renaissance Frames (1990), Painting and Illumination in Early Renaissance Florence, 1300–1450 (1994), The Treasury of Saint Francis of Assisi (1999), and Fra Angelico (2005). Download curriculum vitae |
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John Marciari john.marciari@yale.edu
John Marciari, the Nina and Lee Griggs Associate Curator of Early European Art, received his Ph.D. from Yale in 2000. His research focuses on paintings, drawings, and artistic practices in sixteenth- and seventeenth-century Italy and Spain.
Download curriculum vitae
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Dean, Clay. A Selection of Early Italian Paintings from the Yale University Art Gallery. New Haven: Yale University Art Gallery, 2003.
A Description of the Gallery of Fine Arts and the Collections: School of the Fine Arts, Yale University. New Haven: Yale University Press, 1931.
Forster-Hahn, Françoise. French and School of Paris Paintings in the Yale University Art Gallery. New Haven and London: Yale University Press, 1968.
Handbook of the Collections: Yale University Art Gallery. New Haven: Yale University Art Gallery, 1992.
Italian Primitives: The Case History of A Collection and Its Conservation. New Haven: Yale University Press, 1972.
Kanter, Laurence B., and Carl Brandon Strehlke. Rediscovering Fra Angelico: A Fragmentary History. New Haven: Yale University Art Gallery, 2001.
Neilson, Katharine B. Selected Paintings and Sculpture from the Yale University Art Gallery. New Haven: Yale University Press, 1972.
Offner, Richard. Italian Primitives at Yale University: Comments and Revisions. New Haven: Yale University Press, 1927.
Rediscovered Italian Paintings. New Haven: Yale University Art Gallery, 1952.
Seymour, Jr., Charles. Early Italian Paintings in the Yale University Art Gallery. New Haven: Yale University Press, 1970.
Sirén, Osvald. A Descriptive Catalogue of the Pictures in the Jarves Collection Belonging to Yale University. New Haven: Yale University Press, 1916.
Sturgis, Jr., Russell. Manual of the Jarves Collection of Early Italian Pictures. New Haven: Yale University Press, 1868.
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