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Life, Liberty, and the Pursuit of Happiness:
American Art from the Yale University Art Gallery
The Speed Art Museum, Louisville, KY:
September 9, 2008–January 4, 2009
Seattle Art Museum, WA:
February 26–May 24, 2009
Birmingham Museum of Art, Birmingham, AL:
October 4, 2009–January 10, 2010
Life, Liberty, and the Pursuit of Happiness draws upon the collections of American paintings, decorative arts, and prints at the Yale University Art Gallery to illuminate the subtle and multivalent nature of the American experience from the time of the settlements of the late seventeenth century to the World’s Columbian Exposition in 1893. Included in this exhibition of more than two hundred works are treasures rarely seen outside of New Haven, such as John Trumbull’s eight Revolutionary War scenes, including The Declaration of Independence (which have never before left the campus as a group), Winslow Homer’s The Morning Bell, and Jeremiah Dummer’s magnificent silver candlesticks—the earliest surviving pair of American sticks. The works tell the story of their times, creating a vivid portrait of a young country struggling to invent a people and a nation, and to define itself culturally, politically, and geographically.
Exhibition and publication organized by Helen Cooper, the Holcombe T. Green Curator of American Paintings and Sculpture; Patricia Kane, the Friends of American Arts Curator of American Decorative Arts; and Elisabeth Hodermarsky, Associate Curator of Prints, Drawings, and Photographs. Image: John Trumbull, The Declaration of Independence, July 4, 1776, 1786–1820. Oil on canvas. Yale University Art Gallery, Trumbull Collection |
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Sol LeWitt: A Wall Drawing Retrospective
MASS MoCA (the Massachusetts Museum of Contemporary Art), North Adams, MA:
Opens November 16, 2008
In a major collaboration among three institutions, Sol LeWitt: A Wall Drawing Retrospective is a landmark installation comprising forty years of work by Mr. LeWitt, one of the seminal artists of the last half century. Conceived in collaboration with the artist before his death in April 2007, the project has been undertaken by the Yale University Art Gallery, MASS MoCA, and the Williams College Museum of Art. The installation will remain on view for twenty-five years, occupying a 27,000-square-foot historic mill building in the heart of MASS MoCA’s campus. Sol LeWitt: A Wall Drawing Retrospective consists of more than one hundred works—covering nearly an acre of wall surface—that LeWitt created from 1968 to 2007. Approximately half of the drawings belong to the Yale University Art Gallery through a bequest made possible by the artist, while others presently reside in private and public collections. Manyof the drawings in the retrospective have never been seen before, including recent works that LeWitt created especially for the project.
Image: Model of the three-floor installation of Sol LeWitt: A Wall Drawing Retrospective at MASS MoCA. Courtesy of Bruner/Cott and Associates architects
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The Société Anonyme: Modernism for America
Exhibition Web Site:
http://artgallery.yale.edu/socanon
Exhibition Venues:
Hammer Museum, Los Angeles, CA:
April 23–August 20, 2006
The Phillips Collection, Washington, DC:
October 14, 2006–January 21, 2007
Dallas Museum of Art , TX:
June 8 –September 16, 2007
Frist Center for the Visual Arts, Nashville, TN: October 26, 2007–January 27, 2008
Yale University Art Gallery, New Haven, CT:
Fall 2010
The Société Anonyme Collection at the Yale University Art Gallery is an exceptional anthology of European and American Art from 1920 to 1940. The collection was formed largely through the efforts of Katherine S. Dreier (1877–1952), an artist and educator who in 1920 founded the Société Anonyme in New York with Marcel Duchamp and Man Ray. The group’s core mission was that artists, rather than historians, would chronicle the rise of modern art. The Société Anonyme: Modernism for America traces the transformation of this organization from its original conception as an exhibition initiative to an extraordinary modern art collection.
Press release (PDF) -->
The Société Anonyme is accompanied by a stunning catalogue, featuring essays by a range of scholars. For more information, please visit our Gallery's Bookstore.
Exhibition and publication organized by Jennifer R. Gross, the Seymour H. Knox, Jr., Curator, and Susan Greenberg, the Horace W. Goldsmith Associate Curator of Modern and Contemporary Art. The exhibition was made possible by an endowment created with a challenge grant from the National Endowment for the Arts with additional support provided by Mr. and Mrs. James H. Clark, Jr., B.A. 1958; Mr. and Mrs. James Howard Cullum Clark, B.A. 1989; Ms. Helen Runnells DuBois and Mr. Raymond F. DuBois, Jr.; Mr. Leonard F. Hill, B.A. 1969; Mr. and Mrs. S. Roger Horchow, B.A. 1950; Mr. and Mrs. George T. Lee, Jr., Dr. and Mrs. Edmund P. Pillsbury, Mr. Mark H. Resnick; Ms. Cathy R. Siegel and Mr. Kenneth Weiss; Mr. and Mrs. Joseph B. Smith, B.A. 1950; Mr. Michael Sullivan, B.A. 1973; and Mr. and Mrs. John Walsh, B.A. 1961. This list of contributors is subject to change with additional donations. |
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