Lectures and Talks

Lectures, panel discussions, artist talks, master classes, and other events provide thought-provoking perspectives on art in the Gallery’s collections and exhibitions.

The Gallery offers a variety of lectures, panel discussions, and talks that place our collection and exhibitions in the broader context of history and culture. Speakers include curators, scholars, artists, critics, writers, and others engaged with the world of art and ideas. Programs range from lectures for a general audience to symposia with a scholarly focus. Concerts, film screenings, dramatic performances, and literary readings connect the art on view at the Gallery with other forms of expression. Master classes provide an opportunity to explore works of art in an intimate classroom setting with a curator, educator, or guest scholar. Please check our online calendar for a full listing of lectures and other events.

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Summer 2014 Featured Lecture

Contemporary Art/South Africa: Multiple Perspectives

In conjunction with the summer exhibition Contemporary Art/South Africa, the participants in this panel discussion examined South African contemporary art from multiple perspectives. Zanele Muholi is an artist whose photographs were included in the exhibition. Judy Hecker is Assistant Curator in the Department of Drawings and Prints at the Museum of Modern Art, New York. Chika Okeke-Agulu, Associate Professor at Princeton University, is an artist, art historian, and curator specializing in African and African diaspora art history. The discussion was moderated by Kate Ezra, the Nolen Curator of Academic Affairs.

Cosponsored by the Photographic Memory Workshop and Lesbian, Gay, Bisexual, and Transgender Studies at Yale University.

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Fall 2013 Lecture Series

Let This Be a Lesson: Heroes, Heroines, and Narrative in Paintings at Yale

In fall 2013 John Walsh, Director Emeritus of the J. Paul Getty Museum in Los Angeles, presented a popular semester-long public lecture series that took a close look at eleven important paintings from Yale’s art museums that represent scenes from history, myth, scripture, or literature. The lectures traced the tradition of “history painting”—the category to which all of these works belong—from the Renaissance on through its rise to official dominance, its fall from privilege in the eras of Realism in the 19th century and abstract art in the 20th, and its reappearances in the 21st.

Nearly 3,500 visitors attended the lectures, and the online videos were watched over 40,000 times. Click below to learn more or to watch the lecture videos.

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