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Artist: Konoe Nobutada, Japanese, 1565–1614
Waka Byobu (Poetry Screen)
Six-panel folding screen: ink on paper
Without mounting (each panel ): 141.8 -142.2 x 48.7-54.5 cm (55 13/16 - 56 x 19 3/16 - 21 7/16 in.), when folded overall size: ca. 55 13/16 x 21 1/2 x 8 inches.
Purchased with a gift from Peggy and Richard M. Danziger, LL.B. 1963, and the Leonard C. Hanna, Jr., Class of 1913, Fund
Momoyama period (1573–1615)
Not on view
Kunihiko Shimonaka, ed., Shodo Zenshu (Encyclopedia of Calligraphy), 22 (Tokyo: Heibonsha, 1959), pls. 1415.
Taniguchi Kengo, Ruro No Sengoku Kizoku Konoe Sakihisa: Tenka Itto Ni Honrosareta Shogai, 1213 (Tokyo: Chukoshinsho, 1994).
Joshua S Mostow, Pictures of the Heart: The Hyakunin Isshu in Word and Image (Honolulu: University of Hawai’i Press, 1996), 198200, 3013, 3079, 35456, 37880.
A Waka Anthology: Grasses of Remembrance, 2 vols. (Stanford, Calif.: Stanford University Press, 2006), vol 2., p. 42.
Tamiko Maeda, Sanmyakuin Konoe Nobutada: Nokosareta Tegami Kara (Kyoto, Japan: Shibunkaku Shuppan, 2006), 1260.
Maeda Tamiko, Sanmyakuin Konoe Nobutada (Kyoto: Shibunkaku Shuppan, 2006).
Tokyo National Museum, Sho no Shiho: Nihon to Chugoku Twin Peaks: The Finest of Chinese and Japanese Calligraphy, exh. cat. (Tokyo: Asahi Newspaper, 2006), 28889, 35253, 381, 424, no. 175, ill.
Edward Kamens, “Ink Play,” Yale Review 99, no. 2 (2011): 5174, ill.
Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.