Modern and Contemporary Art
Artist: Pablo Picasso, Spanish, active in France, 1881–1973

Dog and Cock


Oil on canvas

Overall: 154.9 x 76.5cm (61 x 30 1/8in.) Framed: 195.6 x 118.1 x 10.8 cm (77 x 46 1/2 x 4 1/4 in.)
Gift of Stephen Carlton Clark, B.A. 1903
20th century
On view

ARTnews Annual 20, pt. 2 (1950): 134, ill.

College Art Journal 17, no. 3 (1958).

“Abstracts at Modern,” Art Digest 16 (April 15, 1942): 10, ill.

Alfred H. Barr, Jr., Painting and Sculpture in the Museum of Modern Art (New York: Museum of Modern Art, 1942), 67, fig. 486.

Alfred H. Barr, Jr., Picasso: Fifty Years of His Art (New York: Museum of Modern Art, 1946), 120, ill.

Juan Merli, Picasso: El artista y la obra de nuestro tiempo, 2 (Buenos Aires: El Ateneo, 1948), fig. 252.

Christian Zervos, Pablo Picasso, 4 (Paris: Editions Cahiers d’Art, 1951), no. 335, fig. 129.

Antonina Vallentin, Pablo Picasso (Paris: A. Michel, 1957), 249, ill.

“Accessions of American and Canadian Museums,” Art Quarterly 21 (1958): 227, ill.

“New Acquisitions Issue,” Yale University Art Gallery Bulletin 24, no. 1 (April 1958): 17, ill.

Robert Rosenblum, Cubism and Twentieth Century Art (New York: Abrams, 1960), 102, fig. 15.

Lael Tucker Wertenbaker, The World of Picasso (New York: Time-Life Books, 1967).

Francoise Forster-Hahn, French and School of Paris Paintings in the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1968), 20-21, ill.

Katherine Neilson and Andrew Carnduff Ritchie, Selected Paintings and Sculpture from the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1972).

Jane Fluegel, Pablo Picasso: A Retrospective, ed. William Rubin, exh. cat. (New York: Museum of Modern Art, 1980).

Michael Conforti et al., The Clark Brothers Collect: Impressionist and Early Modern Paintings, exh. cat. (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 2006), 177–79, 188, 316, 340, fig. 146.

Susan Greenberg Fisher et al., Picasso and the Allure of Language, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2009), 1, 90, 92–95, no. 11, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.

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