- Overview and Highlights
- African Art
- American Decorative Arts
- American Paintings and Sculpture
- Ancient Art
- Art of the Ancient Americas
- Arts of Islam
- Asian Art
- Coins and Medals
- European Art
- Indo-Pacific Art
- Modern and Contemporary Art
- Prints and Drawings
- Search the Collection
- Join and Support
Prints, Drawings, and Photographs
Artist: Nam June Paik, American, born Korea, 1932–2006
White pencil on black paper mounted on board
Sheet: 48.3 x 63.9 cm (19 x 25 3/16 in.); with Mounting: 50.9 x 66.3 cm (20 1/16 x 26 1/8 in.)
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the National Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
From the exhibition Many Things Placed Here and There: The Dorothy and Herbert Vogel Collection at the Yale University Art Gallery:
Beginning in 1960, Nam June Paik was among the first to experiment with televisions as sculptural objects, even strapping them to the bodies of musicians and actors for his performance pieces. Much of Paik’s work centers on the relationship of nature and the human body to technology. In its juxtaposition of a vase of flowers with a television, Real Plant/Live Plant (2010.140.1), for instance, explores the connection between the organic and the mechanical. The untitled Paik drawing in the Gallery’s Vogel gift, on the other hand, gives the viewer rare insight into the more traditional aspects of Paik’s studio practice, while also alluding to the shape of a television screen.
Works on Paper - Drawings and watercolors
Not on view
Dana Gioia et al., The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, exh. cat. (Washington, D.C.: National Endowment for the Arts, 2008), 54, no. 27.
“Acquisitions 2009,” Yale University Art Gallery Bulletin (2009): 176.
Robert Liles and Molleen Theodore, “Thoughts on the Dorothy and Herbert Vogel Collection at the Yale University Art Gallery,” Yale University Art Gallery Bulletin (2012): 91, fig. 2.
Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.