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Adam and Eve

Artist: Albrecht Dürer (German, 1471–1528)

- Quelle heureuse rencontre ! . . . c'est ce cher Stanislas que je n'avais pas revu depuis que nous avons fait ensemble notre sixème au college de Landernau . . . . . . jadis tout était common entre nous . . . . . . rien ne doit changer; prête moi donc une pièce de vingt ou vingt -cinq francs. (- What a fortunate encounter ! . . . It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau . . . . . . in these times we used to share everything. . . . . . nothing should change; lend me a coin of twenty or twenty-five francs.), pl. 2 from the series Les Amis (The Friends)

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Moderne Galilée. Et pourtant elle marche. (A Modern Galileo. And yet she moves.), pl. 436 from the journal La Caricature no. 209

Artist: Honoré Daumier (French, 1808–1879)
Printer: Delaunois (French, active, 1830–1840)
Publisher: Aubert et Cie (Paris, founded 1829)

Balthazar sings: "Sigh no more, ladies", Much Ado About Nothing, Act II, Scene III

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Figure Study

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study of Figures in a Landscape

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Sketch for a Portrait of a Man

Artist: Thomas Sully (American, born England, 1783–1872)

Complet! ! ! (Full! ! !)

Artist: Charles Maurand (French, 1824–1904)
After: Honoré Daumier (French, 1808–1879)
Printer: François Louis Schmied (Swiss, 1873–1941)
Publisher: Jules Meynial (French, active 20th century)

Je suis logé un peu haut, . . . mais au moins je jouis d'une jolie vue! . . .(I am living a little high up, . . . but at least I am enjoying a beautiful view! . . .), pl. 8 from the series Les Bons Bourgeois (The Petty Bourgeois) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

George Robert Dowdall (1783-1829)

Artist: John Wesley Jarvis (American, born England, 1781–1839)

Un homme sans asile est comme un oiseau sans nid. (A man without refuge is like a bird without a nest.), pl. 6 from the series Proverbes et Maximes (Proverbs and maxims) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer: Aubert et Cie (Paris, founded 1829)
Publisher: Bauger et Cie (French, founded 1830)

LE PREMIER PORTRAIT PAYÉ. / Cela vient assez bien. . . . cela vient assez bien. . . je crois que nous serons satisfait. . . . je cherche surtout à bien rendre le nez grec de monsieur! . . . . . . (THE FIRST PAID PORTRAIT. /\r\nI think it will be nice. . . . quite nice actually. . . I think, we will be satisfied. . . . above all I was trying to get Monsieur's Greek nose right! . . . . . .), pl. 15 from the series Les Beaux Jours De La Vie (The best days in life) from the journal le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Exploitation de la Paternité. / Ah ! Mon fils, ne perdez jamais la piété filiale, souvenez vous toujours qu’un père est le représentant de la divinité. . . . . Dis donc, tu n’as pas quelques sous à me donner, je meurs de soif et je manque de tabac. (Exploitation of paternity. / Well! My son, never lose your filial devotion, always remember that a father represents all that is sacred. . . . . I say, you haven't by any chance a few sous, I'm dying of thirst and I'm out of tobacco.), pl. 37 from the series Caricaturana from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

- Mon cher ami, nous avons appris qu'hier soir au spectacle, un monsieur t'avait marché sur le pied par mégarde . . . . . nous sommes parvenus à nous procurer son adresse et nous nous empressons de venir t'annocer que l'affaire est arrangée . . . . il t'attend ce matin au bois de Boulogne, vous vous battrez au pistolet à quinze pas ! . . . . (- My dear friend, we have learned yesterday at the theatre that a gentleman has inadvertedly stepped on your foot. . . . . We have come to get his address and we are eager to announce that the affair is arranged. . . . he is waiting for you this morning in the Bois de Boulogne. You will raise pistols at a distance of 15 paces! . . . .), pl. 1 from the Amis (The Friends) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)

- Quelle heureuse rencontre! . . . c'est ce cher Stanislas que je n'avais pas revu depuis que nous avons fait ensemble notre sixème au college de Landernau. . . . . . jadis tout était common entre nous . . . . . . rien ne doit changer; prête moi donc une pièce de vingt ou vingt -cinq francs. (- What a fortunate encounter! . . . It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau. . . . . . in these times we used to share everything. . . . . . things should not change; lend me a coin of twenty or twenty-five francs?), pl. 2 from Les Amis (The Friends)

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Le mari veut qu'on regarde sa couche, l'ami ne songe à voir que sa femme. (The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife.), pl. 3 from the series Les Amis (The Friends) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Madame Cabassol se promène sentimentalement au jardin des plantes avec le plus jeune ami de son époux. Recontre inopinée de ce dernier non loin d'un cerf. (Madame Cabassol going for a romantic stroll in the botanical gardens together with the youngest friend of her husband's. Sudden encounter with the latter not far from a stag.), pl. 4 from the series Les Amis (The Friends) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

- Ton habit me convient, je te l'emprunte. . . . seulement ferme la porte il me semble que j'ai un courrant d'air dans le dos! /- Ah! malheureux. . . la porte est fermée. . . . c'est mon unique habit que tu as ouvert! . . . . .(- Your suit fits, I'll borrow it from you. . . . only close the doo I can feel a draft on my back! /- Oh! blast. . . the door is shut. . . . but you just opened the only suit I have! . . . . .), pl. 5 from the series Les Amis (The Friends) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

- C'est bien parce que c'est votre ami, et qu'il m'est amené par vous que je consens à lui laisser souscrire les vingt dernières actions de mon journal colossal l'EUROPÉEN . . . . . c'est une affaire d'or qu'il fait là et dont il vous remerciera bien dans la suite! . . . .(-It's just because he's your friend, and because he has been introduced to me by you that I will let him subscribe to the last 20 shares of my colossal newspaper the EUROPEAN . . . . . it will be a gold mine, and one day, he will thank you properly for it! . . . .), pl. 7 from the series Les Amis (The Friends) from the album Les Amis

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

- Mon cher je t'assure que je te trouve mauvaise mine ce matin. . . . . ce n'est pas en médecin que je te parle, c'est en ami. . . . . je veux absolument te soigner. . . mieux que je ne me soignerais moi-même. . . . . je vais t'appliquer trente sangsues à l'épigastre, et si demain matin je ne te trouve pas plus robuste, je t'en réappliquerai soixante! . . . . . (My dear friend you really don't look very well this morning. . . . . I am not speaking to you as a doctor, but as a friend. . . . . I must insist in treating you. . . better than I would treat myself. . . . .I am going to apply thirty leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty! . . . . .) pl. 8 from the series Les Amis (The Friends)

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

- Mais pis que j'vous dis qu'c'est des amis . . . laissez les donc s'expliquer ! . . . . (- But I am telling you, they are friends. . . they are just expressing themselves to each other! . . . .), pl. 9 from the series Les Amis (The Friends)

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Robert Macaire directeur d'un journal industriel (Robert Macaire, director of an industrial newspaper.), pl. 91 from the series Caricaturana from the journal Le Charivari\r\n

Artist: Honoré Daumier (French, 1808–1879)

Four Standing Youths

Artist: Remigio Cantagallina (Italian, 1582/83–1656)

Four figures near a tree

Artist, attributed to: Adam Colonia (Dutch, 1634–1685)

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