Spanning almost 30 years of political turmoil, the posters in Vida y Drama de México: Prints from the Monroe E. Price and Aimée Brown Price Collection are detailed portals to an often overlooked past. They are also remarkably timely. Lucy Gellman, the Florence B. Selden Fellow in Prints and Drawings, explores a few of these works, examining how their fraught political histories sometimes lend disturbing links to the present.